Wednesday, 27 February 2013

Review: The Blues Mystery – S/T


The Blues Mystery – S/T (The Mysterious Blues Man)
The Blues Mystery came together at the end of 2009 in the mountains of Switzerland. You may reason that the Swiss Alps isn’t a natural birthplace for a blues band, but if ever a genre has transcended any notion of a natural birthplace, then it’s the blues. The quartet, Willy Matt (vocals, guitar), Irénée Pralong (guitar), Walter K. (bass, vocals, harp) and Gege (drums, vocals) are far from purists, but fans of early ‘80s Stones (circa “Undercover”), ZZ Top and Stevie Ray Vaughan’s Double Trouble will probably find plenty here to enjoy.

They launch their debut self-titled album with “Nothing to Hide”, a slinky upbeat rocker, with bassman Walter K. and drummer Gege providing various rhythmic delights throughout its 3:32 running time. Guitarists Pralong and Matt add muscle and depth. It’s a fantastic first track and sets the album up for what follows. In fact it soon proves to be just the first of many highlights. “Let Me Smoke My Cigar in Peace” adds a little Traffic to the mix, and “Back to the Dirty Town” eases the pace, but the band remain as tight and emphatic as before, and Pralong’s solo is a slow-cooked joy – rich and heavy.

My First Love” finds Matt on exceptional vocal form, with a song that develops almost note-by-note, and they bring proceedings to a powerhouse conclusion with the self-titled “The Blues Mystery (Version 2)”, an irresistible song-a-long, where the whole band shine.
Tony S.


The Blues Mystery: The Blues Mystery

Italian photographer Willy Rizzo dies


Willy Rizzo, the Italian photographer renowned for his images of prominent celebrities, has died in Paris at the age of 84, his studio has announced.

Brigitte Bardot, Winston Churchill and Marilyn Monroe were among the many who posed for him in pictures for such magazines as Paris Match and Life.

Born in Naples in 1928, he covered the Nuremberg trials after World War II and the first Cannes Film Festival in 1946.

His friend Jack Nicholson arranged a role for him in his 1992 film Hoffa.

Rizzo was also immortalised by Belgian comic book writer Herge, who used him as the inspiration for "paparazzo" Walter Rizotto in Tintin adventure The Castafiore Emerald.

Rizzo, who died in hospital on Monday, was married to Italian actress Elsa Martinelli, star of such 1960s films as The Trial, The VIPs and The Pigeon That Took Rome.

As well as taking photos, he also designed furniture for a distinguished clientele that include the director Otto Preminger and the artist Salvador Dali.

Source: BBC

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Adele's 21 tops 2012 global album chart


Adele's chart-topping album 21 has topped the global albums chart for a second consecutive year.

The album, released in January 2011, sold 8.3 million copies last year, the International Federation of the Phonographic Industry (IFPI) said.

Overall music revenues were up 0.3% to $16.5bn (£10.9bn) - the first year of industry growth since 1999.

Paul Williams, the head of business analysis at Music Week, said the rise was "very significant".

"After many, many years of decline the graph is finally heading northwards again," he said.

"It underlines the efforts the music industry has been putting in and the results it's now getting in reinventing itself in the digital era."

The IFPI's annual Digital Music Report also showed that digital revenues grew by 9% last year and now account for 34% of total revenue.

Carly Rae Jepsen's hit Call Me Maybe was the best-selling single of 2012, with 12.5 million units sold globally.

Adele outsold her nearest rival, Taylor Swift's Red, by some three million copies.

Former X Factor contestants One Direction had the third and fourth best-selling albums around the world with their first two records Up All Night and Take Me Home, with 4.5 million and 4.4 million copies sold respectively.

There were two other British acts in the top 10 - Rod Stewart's Merry Christmas, Baby was at number seven and Grammy winners Mumford and Sons' Babel was at nine.

Gotye's mega-hit Somebody That I Used To Know was the second biggest-selling single globally, with 11.8 million purchases.

Psy's YouTube smash Gangnam Style sold 9.7 million units, with Fun's We Are Young just behind on 9.6 million.

The IFPI's report also showed that download sales represented around 70% of overall digital music revenue.

Subscription streaming accounts for 10%, while mobile ringtones and ad-funded services like YouTube and Vevo made up the difference.

Although the music industry was showing signs of recovery, the IFPI said there were still "major hurdles that need to be addressed to unlock the huge potential for further growth".

It said internet piracy still had a seriously impact on the industry, estimating that nearly a third of all internet users regularly access unlicensed sites to download music.

The organisation recommended that companies stop advertising on illegal music sites and urged search engine providers to prioritise search results relating to legal services.

"Our markets remain rigged by illegal free music," said IFPI chief executive Frances Moore.

"This is a problem where governments have a critical role to play, in particular by requiring more co-operation from advertisers, search engines, ISPs and other intermediaries.

"These companies' activities have a decisive influence in shaping a legitimate digital music business."

GLOBAL ALBUM SALES FOR 2012

1. Adele - 21 (8.3m units sold)
2. Taylor Swift - Red (5.2m)
3. One Direction - Up All Night (4.5m)
4. One Direction - Take Me Home (4.4m)
5. Lana Del Rey - Born To Die (4.4m)
Source: IFPI

ANALYSIS

Paul Williams, head of business analysis, Music Week magazine
"I think it's more than a blip. What you've got is an entirely different recorded music industry, compared to the last time the figures went up annually, because we now have a market which is very heavily digital.

"In some markets, including the US, more than half of recorded music sales occur digitally, whether it's downloads or streaming.

"In big parts of the world, there were no revenues coming in at all really. Now those very important emerging markets like Russia, Brazil, India and China show the industry is at least starting to see some revenues there."

Source: BBC

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Review: Odame – Odame Sucks Vol. 1


Odame – Odame Sucks Vol. 1 (Worry Wort)
Odame (aka Joshua Grayem) comes from Sacramento. His Facebook biography reads: “My depression raped my excitement and my music was born”. As background information goes, it’s a little vague, to say the least, but somehow it encapsulates his raison d’etre precisely and with the minimum of frills. A scan of the web, and the various sales sites on which “Odame Sucks Vol. 1” is listed, provides few new clues to the man and his music. Indeed, most sites can’t even decide whether it’s a dance record, electronica or folk music.

The truth is, “Odame Sucks Vol. 1” is a dark mix of all three. Strings, synths and beats, sometimes with a song at the core. It’s a collection that occasionally jars and jerks, but mostly in a good way, and Odame’s got plenty to say, when he chooses to. He begins the album with a short instrumental piece. “Theme” is built on a metallic riff with dancing ‘80s electronica providing balance and a smidgen of humour. It’s followed by “T.G.T.I.E.D.”, an unsettling love song, and “22”, a second instrumental, fluid and strangely unstable.

Amalgam” is just that, a six and half minute mix of walking synths, shuffling beats, and what may or may not be kitchenware. Maybe my favourite is “Tried”, which brings to mind the classic, early Matt Johnson records, and represents an appealing, flawed, humanist form of electronica.
Phil S.


Odame: Odame Sucks Vol.1

Tonight at The Musician: Tommy Womack



Tommy Womack
Wednesday 27th February
£10
plus Ben Reel and Dawson Smith
Tommy Womack has been called everything from “Tom Lehrer with a Telecaster” to “Nashville’s best-loved eccentric”. An award-winning artist, he writes songs as honest as anything Hank Williams or Steve Earle ever recorded. Whether it’s the eight minute “Alpha Male & The Canine Mystery Blood”, the hilarious – if blood-chilling – “Ninety Miles An Hour Down A Dead-End Street” or just plain growing old ungracefully in “Over The Hill”, Womack sings about alcohol, sex, cigarettes and Jesus, unafraid to say whatever he wants, having weathered both the worst and best of times.

His last two albums, “There, I Said It!” and “Now What!” both won rave reviews from any and everywhere while his live shows are confessional, witty and infused with the spirit of rock ’n’ roll.

Remember; always check with the venue before travelling:


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Bowie hires Tilda Swinton for his new music video



Oscar-winning actress Tilda Swinton has hit the small screen, playing the role of David Bowie's suburban wife in the video for his latest single.

Swinton, whose best supporting actress Oscar in 2007 was for George Clooney thriller Michael Clayton, is seen shopping with Bowie and watching TV.

She has starred in one other music video - Orbital's The Box - which was up for best video at the 1997 Brits.

The video with Bowie was directed by Floria Sigismondi.

Sigismondi also worked with Bowie on his video for Little Wonder in 1996 and Dead Man Walking in 1997.

She has directed videos for musicians including Muse, Katy Perry, The White Stripes, The Cure, Bjork, Leonard Cohen and Marilyn Manson.

Swinton recently appeared in Wes Anderson's Moonrise Kingdom, which launched Cannes film festival last year, and she starred in 2011's critically acclaimed We Need to Talk About Kevin, as a mother coming to terms with her son's part in a high school massacre.

The Stars (Are Out Tonight) is Bowie's second offering from his forthcoming album The Next Day - his first new material in 10 years.

A statement on Bowie's website said: "This story at once captures a twenty first century moment in its convergence of age, gender and the normal/celebrity divide."

The video stars androgynous models Andrej Pejic and Saskia De Brauw and features Norwegian model Iselin Steiro as a young Bowie.

It already has critics singing its praises, with the Daily Telegraph's rock and pop critic Neil McCormick saying it is "teasing us with ideas of Bowie both as an aging recluse and an ageless androgynous rock star".

"It is the return of the master, showing every other rock and roll star, old or young, how things should be done," he added.

Sigismondi's first feature length film, The Runaways, starred Kristen Stewart and Dakota Fanning as Joan Jett and Cherie Currie.

See / hear David Bowie’s The Stars (Are Out Tonight) here.

Source: BBC

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Tuesday, 26 February 2013

Review: Inmyths – Scarcity


Inmyths – Scarcity (Independent)
Inmyths are an intriguingly named six-member strong group from Lisbon, Portugal. Led by Hugo Almeida, they play a contemporary progressive style of folk-rock music, which has been compared to the work of David Sylvian, though there’s something a little more substantial to Inmyths, something easier to pin down, though no less engrossing.

Rooted in folk music, insofar as acoustic instruments are at the forefront of their sound, the layering of rhythms, strings, keyboards and vocals is calming and reassuring; yet dramatic twists and turns provide plenty of excitement. Separated into four parts, their episodic approach to “Scarcity” is interesting, though it hardly impacts on the listener, and the song flow feels natural and organic.

Lyrically, Almeida covers a range of subjects, some a little unexpected. “I Want to Be an Alien” is a particularly eye-catching title, and its Radiohead-esque sonic ambience adds to its otherworldly, off-kilter appeal. They begin the album with the instrumental “Underway”. Piano takes the lead, and tension is built and released, almost as if it was written to accompany a particularly anxious scene in a film – probably a thriller. “Laymen” concludes the opening section, its measured pace, forthright electric guitar and backing vocals providing a serious highlight.

It’s a collection that’s never less that absorbing, and when everything comes together – song, instrumentation, arrangement – as they do repeatedly, “Scarcity” is an album that can happily stand alongside the work of any of the artists previously mentioned.
Phil S.


Inmyths: Scarcity

Beyonce and Kings of Leon to headline V Festival


Beyonce and Kings of Leon have been announced as the two headliners for this year's V Festival.

The event takes place at Weston Park, Staffordshire and Hylands Park, Essex on 17 and 18 August.

Organisers say Beyonce's appearance will be her only European festival slot of the summer.

Also on the bill are Emeli Sande, Jessie J, Ellie Goulding, The Script, Two Door Cinema Club, Beady Eye and Calvin Harris.

Winner of the 2012 series of The X Factor, James Arthur, will perform as will former winners of the show Little Mix.

The Vaccines, Olly Murs, Paloma Faith, Rita Ora, Fun, Jessie Ware, Gabrielle Aplin and Rudimental will also play.

Festival director Simon Moran said: "With our line-up already boasting acts including Beyonce, Kings Of Leon and Emeli Sande, the 18th annual V Festival is once again set to be an unmissable weekend.

"We have a reputation for bringing fans the best world class acts and breakthrough artists, 2013 is set to be another sensational year."

The announcement comes after Beyonce's headline arena tour sold out last week.

The US singer will play a run of shows in Birmingham, London and Manchester beginning in April.

Tickets for V Festival go on general sale at 9am on Friday 1 March with more acts to be announced.

Last year's event was headlined by The Killers and Snow Patrol.

Source: BBC

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Madonna is pop's top earner, Billboard says


Madonna has beaten Bruce Springsteen and Pink Floyd founder Roger Waters to be named the highest-paid musician in 2012 by trade publication Billboard.

The 54-year-old singer has topped the annual rundown of the top money-makers for the second time in five years.

Her 88-date MDNA world tour, 2012's most successful, helped her take home $34.6m (£26.1m), Billboard said.

Concerts account for 68.9% of the total revenues for the 40 artists on the list, which estimates annual earnings.

According to the figures, compiled using Boxscore concert data and Nielsen SoundScan sales information, Bruce Springsteen came a close second.

He earned $33.4m (£25.3m) after touring to sold-out stadiums and arenas on the back of his number one album Wrecking Ball.

Strong merchandise sales helped with his earnings, with Springsteen's live shows making up 92% of his overall revenue.

Waters came third with earnings from his large scale The Wall Live tour estimated at $21m (£16m).

Van Halen were in fourth position with $20m (£15.3m) after touring in support of their album A Different Kind of Truth.

Speaking about the list, Billboard editorial analyst Glenn Peoples said the most money "always comes from high-paying live performances".

He said: "Ironically, the most popular touring artists are usually well past their peaks on the album sales charts."

The rest of the top 10 included country music veteran Kenny Chesney in fifth, followed by the Dave Matthews Band, country's Tim McGraw and Jason Aldean, and British band Coldplay.

Canadian teen star Justin Bieber completed the top 10, earning up to $16m (£12.1m), of which $10m (£7.6m) came from his sold-out Believe tour.

"The entire top 10 averaged 84.2% of their income from concerts, and the number would have been higher, if not for Justin Bieber's mere 60.1% share at number 10 dragging down the average," said Peoples.

Madonna is the only woman in the top 10 after last year's victor Taylor Swift fell to 15th place because she did not tour last year.

Swift still did well, earning $12.7m (£8.4m) from more than three million digital albums and 15.6 million digital songs.

Meanwhile, Adele, who had the biggest-selling album of the year in the US in 2011 and 2012, came in 11th place, earning $14m (£10.6m).

She did not tour last year but took the year out to have a baby while her second album 21 continued to sell well in physical and digital formats.

MUSIC'S TOP EARNERS IN 2013

1 Madonna - $34.6m
2 Bruce Springsteen - $33.4m
3 Roger Waters - $21m
4 Van Halen - $20m
5 Kenny Chesney - $19.1m
6 Dave Matthews Band - $18.9m
7 Tim McGraw - $18.3m
8 Jason Aldean - $17.6m
9 Coldplay - $17.3m
10 Justin Bieber - $15.9m
Source: Billboard

Source: BBC

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Tonight at The Musician: The Willows (26th Feb.)


Forty Tenth Promotions Presents…

The Willows
Tuesday 26th February
£8adv £10door
plus Red Herrings

The Willows are a folk roots family band from Cambridge. Regularly compared to the likes of Alison Krauss & Union Station and Laura Marling, their musical style pulls influence from both Americana and UK Folk traditions. Fronted by the stunningly distinctive voice of Jade Rhiannon, supported by rich vocal harmonies and sensitive acoustic musicianship, The Willows have a distinctively refreshing sound that continues to captivate and inspire audiences everywhere they go.
 
Formed in spring 2010, the band have spent their formative years plying their trade in numerous folk and acoustic clubs all over the UK, supporting the likes of LAU, Uiscedwr, Rory McLeod, Peatbog Faeries and Lucy Ward along the way.  Performances at the likes of Cambridge Folk Festival, Folk By The Oak, FolkEast and Secret Garden Party have followed, helping build a reputation as a compelling festival band.

Remember; always check with the venue before travelling:


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