The New
Benjamin Britton – Raise A Glass Broken Land (Independent)
New York folk-pop duo, The New Benjamin Britton,
cleverly configured their group moniker by arranging their own names: Ben
Cockerham sings lead and plays guitar and bass, and the classically trained
percussionist Britton Matthews hits a variety of things, including marimba and
vibraphone. They shouldn’t be confused with the old Benjamin Britten.
Unabashedly positive, with a genuine, infectious
enthusiasm for the music they’re making, The New Benjamin Britton make a
refreshing change in a musical landscape where ‘angst’ seems the default
setting. Cockerham and Matthews are intent on enjoying themselves and their
upbeat tunes and cheery disposition will undoubtedly raise the spirits of the
most jaded listener. That’s the plan, and frankly, there’s much to be said for
unadulterated feelgood pop, especially when it comes with a streak of
originality.
“Raise A Glass Broken Land” is their debut release,
an eight-track collection, which showcases their songwriting chops and
instrumental prowess. Matthews’ wide-ranging percussion is utterly persuasive
and hints at the exotic, giving the songs an evocative, world music feel.
Indeed, the avoidance of a conventional beat provides the pair with a unique
calling card, and when combined with Cockerham’s wholehearted vocals, it’s nigh
on impossible to come up with any direct comparisons.
The best of their songs certainly deserve a little
love and attention; “Underprepared” opens the record, and it’s an instant
favourite – in a just world, pop radio would be playing it to death. “The Lights Go Out” may well draw its inspiration from
Tom Waits, circa “Raindogs” (I hope so) – and “The
Shape of a Star” slows things down a touch without sacrificing any of
their appeal.
Phil S.
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