Wednesday, 29 February 2012

PIES AND RECORDS TOGETHER AT LAST...


Rejoice! For "Southsea's only new music store and pie café" is here. Or almost here. Currently being fitted ready for launch next month is a new shop called Pie & Vinyl. As you may have gathered from the previous three sentences, it will sell pies and music. And it will be in Southsea. Never have I been so close to moving to Southsea.

The owners say via their Facebook page that the shop is "created by music and pie lovers, for music lovers, who maybe also like to do pie". They add: "You'll find the latest eclectic music releases on CD, vinyl and MP3, if we don't stock it we'll order it. Our cafe area will be serving a wide range of pies sourced from Buckwells of Osbourne Road, and Pie Minister, as well as hot and cold beverages. A highlight to our cafe will be listening pods on tables to preview new and forthcoming releases".

You can find them on Facebook here: www.facebook.com/pages/Pie-Vinyl-Southsea/255249274556092

And Twitter here: twitter.com/pieandvinyl

I really hope this doesn't turn out to be an elaborate hoax, I'm not sure I could take the disappointment.

Source: http://www.unlimitedmedia.co.uk/

---------------------------------------------------------------------------------------
Support UK Charities by using Leicester Bangs AMAZON links – and it wont cost you a penny.
Details here:
http://www.leicesterbangs.co.uk/charities.html

Review: Phantom Limb


Phantom Limb – The Pines (Naim Edge)
Think of Bristol and it’s bands or artists like Massive Attack and Tricky that quickly come to mind. Think further back and it’s the city’s post-punk and reggae heritage, represented by bands like Glaxo Babies, Essential Bop and Talisman. I don’t know where Phantom Limb fit into the Bristolian musical landscape; the natural habitat of their country-soul / southern rock hybrid is somewhere below the Mason-Dixie line. Not that location was ever a problem for Creedence Clearwater Revival, the Rolling Stones or The Band, who all appropriated southern American music and made some wonderful records.

Phantom Limb isn’t up there with those three groups, but still make plenty of satisfying music on “The Pines”. Singer Yolanda Quartey has got an emotive soul voice, and the band is fully versed in the Muscle Shoals tradition. The big numbers, “Give Me A Reason” and “Harder Than Stone” are showcases for Quartey’s dynamic vocals, but they’re better still when they rock a little; “Gravy Train” rolls sweetly and “Missy” usurps some of the spirit of The Black Crowes, which isn’t altogether surprising, as the album was produced in California by Crowes’ guitarist Marc Ford.
http://www.naimlabel.com/
Simon M.

Oscar statues auctioned for $3m...


A collection of 15 Oscar statues sold for more than $3m (£1.8m) at an auction in Los Angeles, just two days after the Academy Awards took place.

The iconic gold trophies went under the hammer despite members of the Academy protesting against the sale.

Normally, winners are banned from selling their awards, but these prizes were handed out before that rule came into place, in 1950.

The sale included Oscars for the films Wuthering Heights and Citizen Kane.

The highest bid in the online auction went to Herman Mankiewicz's Oscar, which he won in 1941 for the screenplay to Citizen Kane.

The award, which had previously been sold in 1999 by Christie's auction house, fetched $588,455 (£369,556).

Last year, Orson Welles' Academy Award for the same film sold for $861,542 (£541,083).

The 1934 best picture Oscar, which was presented for the Noel Coward adaptation Cavalcade, went for $332,165 (£208,597).

In a statement the Academy said: "Members and the many film artists and craftspeople who've won Academy Awards believe strongly that Oscars should be won, not purchased,"

"Unfortunately, because our winners agreement wasn't instituted until 1950, we don't have any legal means of stopping the commoditisation of these particular statuettes."

The 1950 agreement is still signed by all Academy winners. It states that Oscar statuettes can only be sold back to the Academy for the nominal sum of $1 (63p).

Source: BBC

---------------------------------------------------------------------------------------
Support UK Charities by using Leicester Bangs AMAZON links – and it wont cost you a penny.
Details here:
http://www.leicesterbangs.co.uk/charities.html

Cinematographer Bruce Surtees mourned...


Cinematographer Bruce Surtees, who worked on films including Dirty Harry and Beverly Hills Cop, has died aged 74, Variety has reported.

Surtees was best known for his work with Clint Eastwood. The pair made 14 films together, including The Outlaw Josey Wales and Escape from Alcatraz.

He was nominated for an Oscar for Lenny, the 1974 biopic of comedian Lenny Bruce starring Dustin Hoffman.

He also helped shoot such stars as John Wayne, Laurence Olivier and Tom Cruise.

Born in Los Angeles, Surtees followed in the footsteps of his father Robert, who worked on Ben-Hur and The Graduate and was nominated for cinematography Oscars 16 times.

His last screen credit came on the 2002 film Joshua, starring F Murray Abraham of Amadeus fame.

Source: BBC

---------------------------------------------------------------------------------------
Support UK Charities by using Leicester Bangs AMAZON links – and it wont cost you a penny.
Details here:
http://www.leicesterbangs.co.uk/charities.html

The Archers: 28/2/2012


Synopses:

Tom pushes things too far. Meanwhile Will and Nic are celebrating.


Tom wants to discuss his plans for growing peppers but Tony’s shattered and still has work to do. Helen reminds Tom to go easy on Tony and Pat agrees now’s not the best time. But Tom wants it settled and goes to talk to Tony in the milking parlour.

Tom finds Tony lying on the floor in agony. Realising it’s serious, Tom calls an ambulance. The paramedic checks Tony out before taking him to hospital.

Nic’s found some left-over fireworks. Will agrees they can let them off after tea. They’re having a great time, until Nic gets a call from Helen.

As Helen and Tom wait anxiously for news, Tom blames himself for hassling Tony. Nic turns up to take care of Henry so that they can go to the hospital but Pat finally calls. It was a heart attack, a blocked artery. Tony’s already had an operation and he’s out of danger. He’s going to be alright.

Tony’s weak but asks if everything’s ok at the farm. Pat assures him there’s nothing to worry about. Tony’s sorry to be such a nuisance. He tells Pat that he thought he was a goner. Pat tearfully admits she thought the same. Tony tenderly tells her that he’s all right. He’s okay now.

Listen

Episode written by Simon Frith

Tuesday, 28 February 2012

The Lady: A Homage to Sandy Denny...


The Lady: A Homage to Sandy Denny

An evening of classic songs by Sandy Denny featuring Joan Wasser (aka Joan As Policewoman), Maddy Prior, Jerry Donahue, Dave Swarbrick, Green Gartside, PP Arnold, Thea Gilmore, plus members of Bellowhead, Lavinia Blackwall (Trembling Bells), Sam Carter, Blair Dunlop (The Albion Band), Ben Nicholls (Dennis Hopper Choppers) & more…

In the years since her tragic death in 1978, folk icon Sandy Denny is now widely regarded by musicians and critics alike as Britain’s finest female singer songwriter and one of the greatest singers this country has ever produced. Her signature song Who Knows Where The Time Goes has been recorded by a diverse range of artists including Cat Power, 10,000 Maniacs, Eva Cassidy, Nina Simone, and most famously Judy Collins. The song was voted "Favourite Folk Track of All Time" by listeners of BBC Radio 2 and is also played at the close of Jez Butterworth’s Award Winning play Jerusalem. The comprehensive re-issue of all Denny’s recordings in recent years, has seen her reputation continue to grow, at a time when more and more of today’s rising stars are acknowledging Sandy Denny’s contribution and significance as both a singer and songwriter: artists such as Laura Marling, Joanna Newsom, Florence Welch and the Unthanks.

This tour entitled ‘The Lady: A Homage to Sandy Denny’ will showcase her entire musical legacy for the first time, encompassing her work with Fairport Convention, Fotheringay, her solo career as well as new songs discovered in Sandy’s archive and completed by Thea Gilmore on her acclaimed album Don’t Stop Singing. In her short career, Sandy Denny wrote an astonishing range of songs including Fotheringay, The Sea, Late November, The Lady, It’ll Take A Long Time, Solo, Like an Old Fashioned Waltz, Stranger to Himself and I’m A Dreamer – all of which will feature in this special homage. Sandy’s personal and reflective compositions are distinguished by their unexpected harmonies and elusive lyrics where people were often described in terms of the natural world. Her style mixes a contemporary sound while still carrying a traditional resonance, which coupled with her voice can still sweep the listener off their feet. Truly, as she wrote in one of her greatest songs, the lady had a silver tongue.


Music Beyond Mainstream are pleased to announce the tour dates are as follows:

May 19: LIVERPOOL Liverpool Philharmonic 0151 709 3789 liverpoolphil.com

May 20: NOTTINGHAM Royal Centre 0115 989 5555 royalcentre-nottingham.co.uk

May 21: BRIGHTON Festival 01273 709709 brightondome.org

May 22: COVENTRY Warwick Arts Centre 024 7652 4524 warwickartscentre.co.uk

May 23: LONDON Barbican Centre 020 7638 8891 barbican.org.uk

May 24: BASINGSTOKE The Anvil 01256 844244 anvilarts.org.uk

May 27: GATESHEAD The Sage Gateshead 0191 443 4661 thesagegateshead.org

May 28: MANCHESTER Bridgewater Hall 0161 907 9000 bridgewater-hall.co.uk


Sandy’s songs will be performed by a remarkable gathering of musicians drawing from contemporaries such as Maddy Prior, Dave Swarbick, Jerry Donahue and PP Arnold alongside present day performers such as Joan Wasser (aka Joan As Policewoman), Green Gartside, Thea Gilmore, Bellowhead, Sam Carter, Lavinia Blackwall and Blair Dunlop. All will bring something of their own talent and experience to this unique tribute to Sandy Denny.

Like Sandy, Maddy Prior came out of the 60’s folk clubs to find wider recognition as part of the successful folk-rock group; Steeleye Span with whom she still performs. Maddy Prior has also released an acclaimed series of solo albums and worked with fellow folk singer June Tabor in their duo Silly Sisters. Renowned fiddler Dave Swarbrick was a rising star of the folk scene having worked with A.L. Lloyd, Ewan MacColl and Martin Carthy when he joined Fairport Convention in 1969; alongside Sandy, the two of them helped to shape Fairport’s milestone recording Liege & Lief: He is now recognized as one of the most influential violin players in Britain. Jerry Donahue is one of the world’s most respected guitarists, known for his left hand technique and string-bending style. He joined Sandy in Fotheringay, the group she put together on leaving Fairport Convention and continued to accompany her throughout her solo career and when she later re-joined Fairport Convention. PP Arnold the American-born soul singer, enjoyed considerable success in the UK in the 1960s as part of the Ike and Tina Turner Revue and as a solo performer on the Immediate label working with Andrew Loog-Oldham and Mick Jagger. A series of collaborations with high profile artists followed including Eric Clapton and the Bee Gees and perhaps more surprisingly Nick Drake and Steeleye Span.

Of the younger artists, the American musician Joan Wasser, is one of the most respected of the current generation of female singer-songwriters. She has released three acclaimed albums as Joan as Police Woman, and worked with a wide variety of artists including Lou Reed, Rufus Wainwright and Antony and the Johnsons. Thea Gilmore has developed a respected reputation as a songwriter and interpreter and managed to combine both gifts brilliantly in bringing to life a selection of Sandy Denny’s unrecorded songs recently discovered in her archive on the album ‘Don’t Stop Singing’. Green Gartside is the founding member, singer, songwriter and guitarist with Scritti Politti, whose unique punk-pop was distinguished by Green's philosophical wordplay. In recent years Green has taken part in homages to The Incredible String Band and Nick Drake.,

Also taking part in the tour is Bellowhead member Benji Kirkpatrick who plays on Thea’s album (His father John Kirkpatrick had also played on the album ‘Sandy’ back in 1972). Bellowhead are in many ways a Fairport for the present day in the way they continue to create equally ground-breaking folk music, and maintain a formidable live reputation; Pete Flood and Andy Mellon of the group also join the tour band; Lavinia Blackwall, is the singer and keyboardist of Trembling Bells; one of the key groups influenced by the psychedelic folk-rock sound of the 1960’s. Lavinia's soaring vocal style has also drawn favourable comparison to Sandy’s. Sam Carter is one of the finest young finger picking style guitarists and was voted Best Newcomer in BBC Radio 2’s Folk Awards in 2010. They join rising star Blair Dunlop, a 2012 BBC Young Folk Award nominee, who is now featured in the first ever Albion Band not to feature his father, Ashley Hutchings, a founding member of Fairport Convention. Ben Nicholls is a multi-instrumental musician and double bass player performing with the award winning Seth Lakeman Band amongst others. He fronts his own band Dennis Hopper Choppers released an acclaimed album ‘Be Ready’ last year. Ben will be performing, and also joins the band on bass.

Together, the ensemble creates a unique, adventurous homage to the lady described by Richard Thompson as ‘the greatest British female artist of her generation’.

---------------------------------------------------------------------------------------
Support UK Charities by using Leicester Bangs AMAZON links – and it wont cost you a penny.
Details here:
http://www.leicesterbangs.co.uk/charities.html

Review: Matt Watts


Matt Watts - Joy And Longing (Independent)
Originally from Montana, Matt Watts is now resident in Antwerp (yes, that Antwerp, the one in Belgium). His band, The Calicos, is the Belgian pairing of William Sanders and the spectacularly monikered Guido op de Beeck. Both are multi-instrumentalists. What it was that took him so far from his Montana home is unknown, possibly by all but Matt Watts alone, but whatever his reasons, the change of scenery seems to agree with him. He lists amongst his influences Simon Joyner, Alasdair Roberts and Daniel Johnston, which, if you’re au fait with a certain sort of lo-fi, bedsit-folk singer-songwriter, should provide some clues to Watts’ style and sound.

Confessional, sparse, gentle and quirky, Watts’ use of language demands close attention. Songs like “Come Rest Your Bones” and “I Just Feel Lonesome” are littered with perfect lines and phrases that you’ll want to hear, but you’ve got to get up close to experience them properly. Watts barely raises his voice above a whisper, but the uncluttered framing of his lyrics means it remains accessible. “Lover, Where Have You Gone?” is my favourite, its folk-blues is relentlessly dark, but my goodness, it’s a faultless arrangement of words and music.
http://www.mattwatts.be/
Rob F.



Matt Watts: Joy and Longing

Review: Aeocholas


Aeocholas - Maritime Forest (Barn Art Records)
Aeocholas’ “Maritime Forest” EP is six tracks of jazzy electronica, languid R&B and askew pop. Though the beats and rhythms suggest contemporary influences at play, the electronics have a distinct late ‘70s / early ‘80s feel about them. The result is arty and experimental, and in places almost avant-garde, yet importantly, it remains entirely accessible throughout its 21 minute running time.

Of Aeocholas I know next to nothing. It could be a single man or a 15-piece synth orchestra; I’ve honestly no idea. All lines of enquiry lead back to the music, which is just fine. Inspired by the wooded coastline of the American southeast, the recording begins with “Tidal Flat”, and although the electronic percussion is insistent, I’m reminded of the later avant-jazz inspired albums of Mark Hollis and Talk Talk. “Let It Go” manages to be overtly pop, while stirring up faint memories of Weather Report – very odd, but like the rest of the EP, you’ll want to hear it again.
http://aeocholas.blogspot.com/
Rob F.



Aeocholas: Maritime Forest

Review: The Uncommon Houseflies


The Uncommon Houseflies - Wretched Radio (Better Days Records)
In 1986 Frank Zappa posed the question “Does Humor Belong In Music?” Considering Frank’s oeuvre included such gems as “Don’t Eat The Yellow Snow” and “Penguin In Bondage” we must conclude that his own answer was affirmative. I think it’s safe to assume that The Uncommon Houseflies are very much in agreement. Previous albums “Zombie Clowns Ate Your Sister's Kitty” and “Excrement Weather” have featured many sing-a-long family favourites including “Disgruntled Shooter (In the Nursing Home)”, “Pink Party Vomit” and “Beating Up Hippies”, and fans of those particular recordings will not be disappointed by the fare on offer here.

“Wretched Radio” is chock full of irreverent subject matter, from being dumped for a longhair (“The Jam Band Incident”) to misguided religious enthusiasm and giving up underwear for lent (“Commando for Jesus”). Originally inspired by The Ramones, they’re not averse to wrapping feisty power-pop-punk tunes around their words of wisdom, but other styles, including alt. country and rap get a look in. Needless to say, your own response to the original question will help make your mind up whether this is a band you want to hear. If you’re partial to a bit of comedy then jump right in. I’m sure you’ll have a chuckle or two when you hear the tracks already mentioned, and you’ll be equally chuffed with “Border Disorder (The Canada Song)” and “Space Monkey” – everyone likes a hairy astronaut song.
http://uncommonhouseflies.com/
Rob F.



The Uncommon Houseflies: Wretched Radio

Review: Aiyana Cadwell


Aiyana Cadwell - Jasmine In June (Independent)
It’s been four years since Aiyana Cadwell released “Wreaking Honey”, her acclaimed debut that drew comparisons to Norah Jones and Fiona Apple. Her latest, the four-track “Jasmine In June” EP is sure to be just as well-received.

Cadwell is an accomplished songwriter, singer and pianist. She’s unafraid to share emotional highs and lows and possesses a good ear for a pop hook. Here she works with a producer for the first time, Rob Harkness at Barn Productions in Los Angeles, and the collaboration has added another dimension to the work. The opening track “February Winter” is a beautiful song, taken to a whole new level by assorted strings, especially a wonderfully morose cello. On the title track, various instruments are layered to provide a rich, warm environment for Cadwell’s song, and “Another Man's Dream” is positively funky in a pleasing ‘70s way, and might be one of those few songs that seems to take equal inspiration from Stevie Wonder and Carole King.
http://aiyanacadwell.com/
Rob F.



Aiyana Cadwell: Jasmine in June

Announcing Variety Lights: the new band from David Baker (ex-Mercury Rev)‏...


Announcing Variety Lights:
the new band from David Baker (ex-Mercury Rev)


Album 'Central Flow' due out in June
Exclusive Single for Record Store Day "Silent Too Long" – 21 April
FREE MP3 "Silent Too Long": http://soundcloud.com/firerecords/variety-lights-silent-too

Fire Records are proud to announce the signing of Variety Lights, the new band from David Baker, legendary frontman of the original incarnation of Mercury Rev.

After leaving the public spotlight more than 18 years ago, Baker returns with his collaborator, Will MacLean, to debut the remarkable psychedelic-synth album 'Central Flow'. The lead track is, appropriately, "Silent Too Long", which will be released as an exclusive single for Record Store Day.

As a founding member and vocalist for Mercury Rev, Baker helped to forge their revolutionary sound with their first two (and most critically acclaimed) albums; 'Yerself Is Steam' (1991) and 'Boces' (1993). Having left the band in 1993, Baker went on to release a solo album 'World' under the moniker Shady, which featured members of the Boo Radleys, Rollerskate Skinny, Swervedriver and Th' Faith Healers.

Although there has been much speculation about his life during his time away from the public eye, Baker has continued to make recordings and is an avid music fan, working as a producer for various artists. Now he is back, morphed and transmogrified into Variety Lights (a name lifted from Fellini's first film).

When he met Will MacLean, Baker found a songwriting partner who shared a passion for analogue synths and electronic psychedelia. Initial experimentation together live to tape – to see how big and crazy just the two of them could sound – started to reveal melodies and Variety Lights was born.

Much of Variety Lights’ debut 'Central Flow' was recorded by Baker at his own Over the Trees studio. The sound was created using a mixture of chained around-the-room 80's era midi expanders as well as the duo's collection of vintage keyboards and combining them with an array of drum machines and effected guitars.

There are plans to play the songs live with a full band including drums and bass, with dates to follow at some point later on in 2012.

---------------------------------------------------------------------------------------
Support UK Charities by using Leicester Bangs AMAZON links – and it wont cost you a penny.
Details here:
http://www.leicesterbangs.co.uk/charities.html

Review: Penelope Houston


Penelope Houston – On Market Street (Glitterhouse)
Penelope Houston’s musical calling began in 1977, leading The Avengers, the San Francisco punk outfit who supported the Sex Pistols at the last ever show (check out the “We Are The One” EP. On the second side, “Car Crash” is particularly meaty). Since those early days, she’s collaborated with Howard Devoto and carved herself out a respectable solo career, which has recently been put on hold as she’s hit the road with her reformed band. Now back recording under her own name, “On Market Street” is her seventh solo album and her first since 2004; punk rock guitars have been replaced with Hammond and Wurlitzer organs, and on “Winter Coats” and “Meet Me In France” a string quartet.

Houston’s sound, a combination of sophisticated chamber pop, Southern Americana and urban alt. country rarely disappoints, and provides a series of genuine standout tracks. “You Reel Me In” is soulful and lyrically isn’t unlike the sort of thing Lucinda Williams was writing circa “Car Wheels…”. “Scrap” is positively playful, and “Come Back To The Fountain” is gentle, sweeping pastoral pop. Perhaps best of all is “If You’re Willing”, the song that inspired the album, an epic distillation of Houston’s then state of mind.
http://www.penelope.net/
Rob F.

The Archers: 27/2/2012


Synopses:

Brian offers the hand of peace and Susan tries to control herself.


Brian and Annabelle discuss the next steps for the proposed dairy. South Borsetshire planning department are bound to cause them a few headaches, and the Environment Agency could still scupper the whole project. Brian’s confident Adam won’t give them any more problems but Annabelle’s not convinced and suggests Brian has a word with him.

Neil and Susan enjoy having their home to themselves but Susan feels sorry for Gary. She suggests Neil could paint his room as a random act of kindness for Lent. Neil feels he’s done enough but agrees to think about it. He suggests Susan tries Alan’s other proposal for Lent - giving up gossip.

Neil drops some paint off but it turns out Gary doesn’t want his room touched. He’s happy with his Star Trek wallpaper. Susan thanks Neil for trying. She starts to tell Neil that she saw Brian and Annabelle leaving The Feathers together but Neil challenges her not to gossip. Susan takes up the challenge and says no more.

Brian thanks Adam for not going to the public meeting last week. Adam points out that his reason for not going doesn’t warrant Brian’s thanks. Brian tries to appease the situation but Adam insists it’s too late to just agree to differ.

Listen

Episode written by Simon Frith

Monday, 27 February 2012

Guns N' Roses announce seven-date UK arena tour for May...


Guns N' Roses have announced a seven-date UK arena tour.

The US rock band will start the concerts in Nottingham on 19 May.

They will then play dates in Liverpool, Newcastle, Glasgow, Birmingham and Manchester before finishing at London's O2 Arena on 31 May.

The original members of Guns N' Roses are due to appear together on the same stage in April as the band is inducted into the US Rock and Roll Hall Of Fame.

Guns N' Roses is made up of singer Axl Rose, keyboardists Dizzy Reed and Chris Pitman, bassist Tommy Stinson, rhythm guitarist Richard Fortus, drummer Frank Ferrer plus lead guitarists Ron "Bumblefoot" Thal and DJ Ashba.

Former members include Slash, Steven Adler, Izzy Stradlin, Duff McKagan and Matt Sorum.

Other bands being inducted into the Rock and Roll Hall Of Fame in Cleveland, Ohio, on 14 April include Red Hot Chili Peppers and Beastie Boys.

Guns N' Roses last performed together in the UK in 2010.

They were bottled off stage at a concert in Dublin after they arrived on stage nearly an hour late and their set was cut short after they played past their curfew at Reading that year.

The band say they are working on new material at the moment.

Their last album, 2008's Chinese Democracy, made it to number two in the UK album chart.

The UK tour dates are as follows:

Nottingham Capital FM Arena - 19 May

Liverpool Echo Arena - 20

Newcastle Metro Radio Arena - 23

Glasgow SECC - 25

Birmingham LG Arena - 26

Manchester Evening News Arena - 29

London O2 Arena - 31

Tickets for the tour go on sale on Friday 3 March at 9am.

Source: BBC

---------------------------------------------------------------------------------------
Support UK Charities by using Leicester Bangs AMAZON links – and it wont cost you a penny.
Details here:
http://www.leicesterbangs.co.uk/charities.html

The Sex Pistols sign new record deal with Universal...


The Sex Pistols have signed a record deal with Universal, it has been announced.

An "expanded and repackaged edition" of the band's Never Mind The Bollocks, Here's The Sex Pistols album will be released later this year.

Universal said the release will tie in with the record's 35th anniversary.

"To be given the opportunity to re-evaluate the Sex Pistols catalogue is every music lover's dream," said Universal's Karen Simmonds.

"We're looking forward to working with the band and celebrating their impact on worldwide culture."

The band, best known for hits such as Anarchy In The UK and God Save The Queen, formed in 1975.

Newspaper furore

Fronted by Johnny Rotten, the group forged a reputation that encouraged fans to rise and rebel against the establishment.

In 1976 they signed a contract with record label EMI, but the deal became shortlived after the group caused controversy during an appearance on Thames Television's Today programme.

The live interview was littered with expletives and led to a furore for days afterwards in the national newspapers.

Further negative publicity led to EMI, which has since been bought by Universal and Sony, releasing the band from their contract.

Source: BBC

V Festival lines up Stone Roses...


The Stone Roses, Happy Mondays and The Killers have been announced as the headline acts at this year's V Festival.

Noel Gallagher and his band the High Flying Birds have also been added to the bill, along with Sir Tom Jones, Snow Patrol and Ed Sheeran.

Organisers said more acts would be announced at a later date.

The event, now in its 17th year, takes place on 18 and 19 August in Chelmsford and Staffordshire.

Last October The Stone Roses announced they were ending their 15-year split and reforming for a series of gigs.

As well as V, the Manchester band have also been lined up to headline Scotland's T in the Park festival.

Although the group only recorded two albums before they dissolved in 1996, their self-titled 1989 record was generally regarded a seminal work.

US singer Nicki Minaj, Tinie Tempah, The Human League, Madness and The Proclaimers have also been added to the V Festival bill.

Former X Factor contestant Olly Murs will return to the event, which he also performed at last year.

"Coming back to play at V Festival for a second year is fantastic. I've been going to the festival as a punter for years, so performing there is always going to be special - especially on that main stage," he said.

Festival director Simon Moran said organisers deliberately picked a mix of veteran and new acts to play the music event this year.

"The mix of established and exciting breakthrough acts promises to give festival-goers a cracking weekend," he said.

V Festival tickets go on sale on 2 March.

Source: BBC

---------------------------------------------------------------------------------------
Support UK Charities by using Leicester Bangs AMAZON links – and it wont cost you a penny.
Details here:
http://www.leicesterbangs.co.uk/charities.html

The Pains of Being Pure at Heart, Record Store Day 2012 exclusive...‏


Record Store Day 2012 exclusive Acid Reflex EP Ltd 12" & Digital Download
21st April 2012


Brooklyn based Indie-Pop quartet 'The Pains of Being Pure at Heart' have announced details of a remix EP in support of Record Store Day, released on Play It Again Sam on limited edition coloured vinyl.



The remixes are lifted from their 2011 follow-up album, ‘Belong’ (March 2011), which was produced by Grammy award winning ‘Flood’ (Depeche Mode, U2) and alternative-rock royalty, Alan Moulder (Smashing Pumpkins, Jesus and Mary Chain, Ride)".

“An album that stands up to the touchstone indie classics it references” – **** Mojo
“Belong is a bigger, bolder, and brighter follow-up that adds new dimensions to the Pains' sound” – Pitchfork, 8.2, Best New Music

The band also play a one off London show this March, tickets are on sale now.

Thursday 8th March 2012
O2 Academy Islington
N1 Centre, 16 Parkfield Street, London, N1 0PS o2academyislington.co.uk
£16.00 adv ticketweb.co.uk or 0844 477 2000

thepainsofbeingpureatheart.com
recordstoreday.com
playitagainsam.net
slumberlandrecords.com

---------------------------------------------------------------------------------------
Support UK Charities by using Leicester Bangs AMAZON links – and it wont cost you a penny.
Details here:
http://www.leicesterbangs.co.uk/charities.html

The Artist triumphs at the Oscars...


Silent movie The Artist has triumphed at the Oscars, winning five awards including best picture, best director and best actor for Jean Dujardin.

Director Michel Hazanavicius - winning on his first ever nomination - thanked the dog, Uggie, who appears in the film but added: "I don't think he cares."

Dujardin said of his character: "If George Valentin could speak, he would say 'Wow! Victorie! Genial! Merci!'"

The film also won the Oscars for best original score and best costumes.

Martin Scorsese's Hugo also won five Oscars, mainly in technical categories.

Meryl Streep won best actress for her portrayal of former British Prime Minister Margaret Thatcher in The Iron Lady - her 17th Oscar nomination and third Oscar win.

She thanked the Academy "for this inexplicably wonderful career".

"When they called my name I had this feeling I could hear half of America going: 'Aww no. Not her again'. But, you know, whatever.

"I look out here and I see my life before my eyes. My old friends, my new friends. This is such a great honour but the thing that counts the most for me is the friendships… Thank you. All of you, departed and here," she added.

Dujardin broke into his native French language in celebration shouting: "Wow, victory!"

"Thank you to the Academy. It's funny because in 1929, it wasn't Billy Crystal but Douglas Fairbanks who hosted the first Oscars ceremony. Tickets cost $5 and it lasted 15 minutes. Times have changed."

1929 was the last year that a silent movie won an Oscar.

Canadian actor Christopher Plummer became the oldest Oscar winner at 82 by taking the best supporting actor prize.

He was widely tipped to win for his portrayal of a father who comes out as a gay man after his wife dies in Beginners.

Plummer thanked his real-life wife who, he said, deserved "the Nobel Peace Prize for coming to my rescue every day".

The Help's Octavia Spencer won the best supporting actress Oscar and gave an emotional acceptance speech, receiving a standing ovation from the audience.

"Thank you Steven Spielberg for changing my life...oh my God, thank you... I'm freaking out," she told the audience, after struggling up to the stage in a floor-length gown.

Best adapted screenplay went to Alexander Payne, Nat Faxon and Jim Rash for The Descendants, starring George Clooney.

Veteran screenwriter and director Woody Allen won best original screenplay for Midnight in Paris but was not there to collect the award.

Muppets win

The first two awards of the night went to Hugo for cinematography and art direction.

Robert Richardson was cinematographer on Martin Scorsese's 3D film and Francesca Lo Schiavo was art director.

And later, the film about an orphan who lives in a train station picked up a further three Oscars, all in technical categories.

Best sound editing was won by Philip Stockton and Eugene Gearty.

Hugo's Tom Fleishman and John Midgley won the Oscar for sound mixing and the film also picked up the award for best visual effects.

Rango won best animation, a first Academy award and nomination for director Gore Verbinski, who said it was "made by grown-ups acting like a bunch of children".

The film features the voice of Johnny Depp, who plays a chameleon.

Best animated short film was The Fantastic Flying Books of Mr Morris Lessmore.

The Oscar for costume design went to Mark Bridges for The Artist, who thanked the Academy "for making a lifelong dream come true".

The best make-up prize went to J Roy Helland and British artist Mark Coulier for The Iron Lady.

Iran's A Separation became the first Iranian film to win an Oscar when Sandra Bullock presented director Asghar Farhadi with best foreign language film.

Set in contemporary Iran, it tells the story of a marriage break-down.

Best film editing went to Kirk Baxter and Angus Wall for Girl with the Dragon Tattoo - the pair also won last year for The Social Network. Both films were directed by David Fincher.

The Oscar for best original song was won by Bret Mackenzie for Man or Muppet from the soundtrack to The Muppets.

Best documentary went to Undefeated, a film about an inner city American football team whose fortunes are turned around by a new coach.

The executive producer of the film was rapper Sean 'P Diddy' Combs.

Cohen stunt

Northern Ireland film The Shore won the best live action short film.

Saving Face, about a British-Pakastani doctor who helps women who have been injured in acid attacks, won best documentary short.

Earlier, Morgan Freeman introduced the evening before a comic video was shown of George Clooney waking up host Billy Crystal with a kiss - in a parody of his nominated film The Descendants.

Freeman said: ""All of us are mesmerised by the magic of the movies. This magnificent event allows us to celebrate the present and look back at its magnificent past".

Crystal hosted the 84th Oscars ceremony at the Kodak theatre in Los Angeles.

He joked: "This is my ninth time - just call me War Horse."

On the red carpet, British comedy actor Sacha Baron Cohen turned up dressed in a white military uniform and sporting a beard and sunglasses, promoting his upcoming film The Dictator.

Cohen arrived holding an urn he jokingly claimed contained the ashes of Kim Jong Il, the late leader of North Korea.

Cohen then tipped the container on to American Idol host Ryan Seacrest.

Source: BBC

Film academy: Plans announced for courses around UK...


A new film academy which will help train the next generation of British movie-makers is to be launched.

The scheme will be led by the British Film Institute (BFI) and will cater for some 5,000 students aged between 16-19.

It will operate at weekends and evenings at centres around the country, and will get £3m from the Department for Education over three years .

Education Secretary Michael Gove said the academy would help ensure the industry remained competitive.

The minister said he was especially keen for "those who don't have certain advantages" to get the opportunity to participate.

"This project should provide opportunities to young people who might otherwise miss out," he said.

Cut in spending

Schools and colleges will help to identify any young students, who are deemed to have "exceptional levels of creative talent, technical skills, commitment and tenacity", organisers said.

The courses will teach technical, business and marketing skills. which are necessary to launch a career in the film industry.

Up to 200 young people will then be selected for a residential film-making course.

The announcement comes at a time when government funding for the arts is being cut.

In 2010 it was announced that the UK Film Council was being axed as part of a cost-cutting drive by the Department for Culture, Media and Sport (DCMS). The BFI took over the council's funding role.

Source: BBC

The Archers: 26/2/2012


Synopses:

Ruth is at the end of her tether and Chris shows his thoughtful side.


Jennifer thinks Debbie returned to Hungary feeling positive about the dairy. But at the public meeting Jennifer was surrounded by Pat and Ruth, so she felt under siege. She just wishes Debbie could have had a proper talk with Adam. Brian’s just grateful Adam didn’t come to the meeting.

Ruth can’t believe their latest electricity bill is so high. David gently suggests it’s time to make a decision. Ruth won’t face up to the thought of giving up the cows; she might as well give up farming. Jennifer heads their way, looking for Adam. Ruth can’t face her while she feels like this.

Chris senses Alice is upset that they can’t afford to join her old school friends on an Easter skiing holiday, and tries to perk her up. Alice tells Brian she’s feeling guilty for taking things out on Chris. Chris turns up with some catkins for her. Alice hugs him and assures him she really doesn’t want to go to Austria but loves his idea of going for an indoor snowboarding session.

Jennifer wishes she had their problems. She tells Brian how Ruth cut her dead. This dairy scheme is tearing apart the whole family. Pat and Tony are already at war with them, and now Ruth!

Listen

Episode written by Simon Frith

Sunday, 26 February 2012

Adam Sandler leads Razzie nominations...


Comedy actor Adam Sandler is leading the charge at this year's Razzie awards with 11 nods, the highest number of nominations in a single year.

The spoof prizes, formally known as The Golden Raspberrys, are handed out to celebrate the worst films of the year.

Sander's cross-dressing comedy Jack & Jill led the pack with 12 nominations.

His romantic comedy Just Go With It got five, and Bucky Larson: Born to be a Star, for which Sandler wrote the screenplay, notched up six nods.

Sandler received a worst actor and actress nomination, for Jack & Jill, in which he plays both the male and female roles.

Co-star Katie Holmes and Al Pacino, who plays himself in the movie, bagged themselves nominations in the worst supporting categories.

Also selected as worst film nominees were Bucky Larson: Born to be a Star, New Year's Eve, Transformers: Dark Of The Moon and the fourth instalment in the Twilight series, Breaking Dawn Part 1.

The movie, based on the Stephenie Meyer series of books, received eight nominations, including a worst actor nod for Taylor Lautner.

He will compete against British actor Russell Brand in the category, alongside Nicolas Cage and Nick Swardson.

In the female category Sandler was not the only male to be up for playing a woman, as Martin Lawrence was also nominated for Big Mommas: Like Father, Like Son.

Former Alaska Governor Sarah Palin was also singled out for playing herself in Sarah Palin: The Undefeated and Sarah Jessica Parker and Kristen Stewart completed the list.

The year the awards, which are usually handed out the day before the Oscars, will be presented on 1 April.

Organisers said moving the ceremony would allow its voting members more time to see the nominated movies.

The winners will be determined by members of the Golden Raspberry Foundation.

Source: BBC

Saturday, 25 February 2012

Review: Dodgy


Dodgy - Stand Upright In A Cool Place (Strike Back Records)
Dodgy - not the most positive name for a band, though I doubt it made much difference to their career, even if they were always much underrated. I remember hearing "In A Room" for the first time and deciding that I wouldn’t hear anything better that year (1996). Never a band that was feted, Dodgy just did what they did, making some cracking indie rock records during the Britpop era. The same thing seemed to happen to Compulsion as well, another band with an ear for a tune that somehow never quite scaled the heights that would make them a household name.

This new album underlines their prowess with melody and arrangements. Dodgy have always been good value; their songs are full, well-rounded affairs, delivered with a professionalism that’s even greater now than back in their heyday. "Did It Have To Be This Way" is a perfect example of what this band are all about, with chiming, classic harmonies, poignant, personal lyrics, and a deft touch with the instrumentation. Great pop songs don't get much better than this. There are eleven on here, this one just happens to be the best, just edging out "What became Of You" and the glorious closer "Happy Ending" (let's hope it is... but not just yet…).

I doubt new fans will be queuing round the block to hear this, but I fear that’s Dodgy's fate. Anyone with a keen ear for really fine melodies and sharp writing will probably already know what to expect, and will hopefully check this out. Please do so, and do what I’ve just done, and intend to continue to do: spread the word that Dodgy never were dodgy, and never will be. They’re just a class act.
http://www.dodgyology.com/
Kev A.

Review: Hanne Hukkelberg


Hanne Hukkelberg - Featherbrain (Propeller Recordings)
My first excursion into Hanne Hukkelberg's dominion, and the experience has been very pleasant, though odd, in a distinctly Scandinavian way. The title track leads out these occasionally eccentric songs ('experiences' rather than songs might sometimes be a closer fit), and it’s a clamorous affair, weaving in and out of a simple melody structure, which, in the past, I’d have found difficult. However, due to the variety of music I’ve been introduced to, via the site, my tastes have expanded, and I’m better for it, both as a listener and a lover of music. "Noah" confirms that Hanne is no singer of the norm, and her voice here sustains the interest with its languid and occasionally somewhat tremulous approach to the lyrics. She can also bring a song to life with a gentle hushed effect, as on "I Sing You", and even with the stronger instrumentation backing her, she still commands the show.

After these first three tracks, we are taken even further out. The discordant sounds that previously surfaced and merged with the rhythms of the tunes now start to take centre stage, and we’re treated to a much wider variety of effects. Strange whistling, shouty (but very effective) choral backing and slaps and claps all appear at some point to join in with the diverse instrumentation, that despite the slightly discordant moments of clanging and thumping, tinkling and strumming, is done to a weird and wonderful turn. This kind of thing is never easy to get right, and an audience can soon be lost when it does go wrong.

I’m disappointed to have ignored her previous material, which apparently, is a little less eccentric, though just as individual. Either way, to hear more of her voice, not perfect (and not meant to be) would be worth the investigation, alone. There are three albums prior to this, and I intend to track them down.
http://www.propellerrecordings.no/
Kev A.

Review: The Rosie Taylor Project


The Rosie Taylor Project - Twin Beds (Odd Box Records)
From beginning to end, this is quintessential English indie pop. Smart and neat with no loose ends, and played with plenty of verve. The light and lilting vocals float along on a musical cushion of guitar, keyboards and surging trumpet, as they bring us tales of simple souls who share their lives, together with the memories, the regrets, and the dreams that pepper their days.

Just over halfway into “Twin Beds” we get a delightful female voice joining in on "Sleep", and although I yearned to hear more of her, perhaps in a lead role, the melodies, and in particular the trumpet, prevented me from becoming too despondent. And that pure male voice, English through and through, suits the music down to the trouser turn-ups and sensible brogues, and helps the listener to lose themselves in these gentle, but oh so solid, songs. Underpinning the guitar and trumpet is a tight rhythm section, ensuring the whole thing stays together, keeping all of the parts in place.

A lovely album then, being both gentle and intimate, caressing you with each of its eleven songs, and once it’s finished it is very hard not to play it again.
http://oddboxrecords.com/
Kev A.

Ashmolean Museum heads campaign to save Manet painting...


The Ashmolean Museum in Oxford has launched a campaign to buy a painting by the French Impressionist Edouard Manet and stop it leaving the UK.

Portrait of Mademoiselle Claus, painted in 1868, has been owned by the family of the artist John Singer Sargent since 1884 and has only been exhibited once.

The family have agreed a sale with an unnamed foreign buyer for £28.35m.

But the UK government has imposed an export bar and will let the museum buy it for £7.8m if the funds can be found.

The Ashmolean would be able to purchase it for the lower amount because the government would waive the £20.5m tax that would be required with a private sale.

The painting "reveals fascinating new information about the working methods of Edouard Manet, one of the greatest masters of modern art", the museum said.

It would be a "great revelation both to the public and to Manet scholars", the museum added.

Director Dr Christopher Brown said: "This is one of the most important pictures of the 19th Century, which has been in this country since its sale following the artist's death.

"Its purchase would, at a stroke, transform the Ashmolean's representation of Impressionist painting."

The museum is now looking for funds from public bodies, trusts and private donors and must raise the money by August.

The portrait is of Fanny Claus, a concert violinist and friend of Manet's wife. It was a preparatory study for Le Balcon, which hangs in the Musee d'Orsay in Paris.

Source: BBC

---------------------------------------------------------------------------------------
Support UK Charities by using Leicester Bangs AMAZON links – and it wont cost you a penny.
Details here:
http://www.leicesterbangs.co.uk/charities.html

Review: Miss Quincy


Miss Quincy - Like The Devil Does (Independent)
Straight away the bluesy organ bursts forth, and I love this keyboard sound, full stop. "Love Me Like The Devil Does" takes me back to the era of Jimmy Smith and Booker T, but, as much as I find the organ a scorching success, together with the tight guitar playing, it’s the voice that must take the accolades, as it struts its stuff with timeless ease. This is the blues, deep, and dark, and sexy. The voice is full of womanly promise, although the name Miss Quincy might be a better fit for one of those young women in a BBC costume drama, rather than the sultry songstress that she undoubtedly is.

It isn't all blues, either, as "Dangerous' is a straight alt. country near classic, and the torch ballad "Til The Money Comes In" is fantastic (and there’s that swirling Hammond again... perfect!). Whether the song is a slow and slinky number like the cover of Nina Simone's "I Want A Little Sugar In My Bowl" (the only song here not her own), or "Goin Down", or a more upbeat track like "Dangerous", or "Hurricane", Miss Quincy has the vocal down perfectly, using all her prowess and precision as she delivers the goods. Not only has she got the voice, but she also has the knack of putting it to work on the material that suits it best. The variety of genres is the icing on this delicious cake. The cherry on top is the ballad "Carmen", ending the album with a song of sheer beauty.

Yes, the team here is also the real deal too, with exemplary performances that provide the vehicle that Miss Quincy rides. She proves in the opening bars that she isn’t afraid to let them loose on the listener, and they rejoice in their freedom by being as tight as Lycra shreddies. If you suspect you’d like an attractive woman superbly singing her own songs, perfectly produced and backed by a company of clever companions, well… here it is. If I were you, I’d treat myself.
http://www.missquincy.net/fr_home.cfm
Kev A.

The Archers: 24/2/2012


Synopsis:

Sparks fly at the village meeting while David bites his tongue.


Tony’s decided he’s too tired to go to the public meeting about the mega-dairy. Pat thinks it’s best if Helen leaves Henry with him, which ruins Tony’s hopes for a peaceful evening .

When Ed sees the plans for the dairy, he’s amazed at the size of it. He’s promised to speak up on Joe’s behalf. David, as NFU chair, is strictly observing. Ruth remarks on Jennifer and the tribe being in the front row. There’s no Adam but Ian’s at the back.

Debbie puts forward a strong case in favour of the dairy, and Pat’s the first to respond from the floor. Ed questions the effect on the small producer. Debbie insists the dairy won’t affect local trade. The debate goes on, with very split opinions. Ruth puts across a very strong case for cows belonging on grass.

Debbie appreciates David’s neutrality. David hopes he can separate his personal and public roles but has to bite his tongue while talking to Debbie.

Brian’s not sure how the meeting went but Debbie thinks it’s gone ok. She reckons the local economy angle could swing it for people. She knows who was leading the opposition but tells Brian to relax and just keep hold of the big picture.

Source: BBC

Episode written by Nawal Gadalla

Friday, 24 February 2012

Shakespeare's Globe receives £1.5m from private donor...


An anonymous private donor has given £1.5m to Shakespeare's Globe, the theatre has announced.

The money will go towards the £7m needed to build the Indoor Jacobean Theatre - aimed to be the most complete recreation of an English renaissance indoor theatre.

The donor has also pledged to double the donation, providing the Globe manages to raise £1.5m by itself.

Work is scheduled to start in October following the Globe's summer season.

"Our wonderfully generous anonymous donor has given this money to enable us to complete the Indoor Theatre, but also by doubling donations we receive, we hope that this will encourage others to support this important project," said the Globe's chief executive, Neil Constable.

It is hoped the latest addition - which will seat just over 300 people and will feature two tiers of galleried seating and a pit seating area - will be ready to open from November 2013.

Actress Zoe Wanamaker, who is the Globe's honorary president, said: "It is a wonderful thing in this day and age to build a new theatre, a continuum in our culture, which perpetuates literature and art and performance, and encourages an exploration into the unfolding of British drama."

The My Family star is also the daughter of Sam Wanamaker, the director and actor who originally founded the Globe.

Source: BBC

Theatre, film and television actor Peter Halliday dies...


The actor Peter Halliday, probably best known for his starring role in the BBC's sci-fi drama A for Andromeda in the 1960s, has died, aged 87.

Halliday was born near Llangollen, but his family moved to Welshpool, Powys, and he went on to spend much of the rest of his life there.

He enjoyed a career in theatre, film and TV spanning 60 years.

During that time he worked alongside many acting greats, including Richard Burton and Sir John Gielgud.

His funeral will be held in London on Tuesday and a memorial service is planned in Welshpool at a later date.

Halliday's career started when he joined the Royal Academy of Dramatic Art in 1947 after serving in World War II.

His big break came three years later when he joined the Shakespeare Memorial Theatre in Stratford-upon-Avon, now known as the Royal Shakespeare Company.

It was run by Gielgud and Anthony Quayle, and included a myriad of eminent actors such as Burton, Sir Michael Redgrave and Sir Ralph Richardson.

In 2007, an exhibition about Halliday called An Actor's Life opened at Powysland Museum in Welshpool, where his son's partner Eva Bredsdorff is curator.

Speaking to BBC News at the time about the exhibition, Halliday said: "Richard (Burton) was extraordinarily talented and was great fun.

"He used to ask me to cover for him and would say: 'If anyone asks, I was out with you last night.'"

Halliday also counted James Bond star Sir Sean Connery as a friend, and knew him before his first Bond movie, Dr No, made him a huge global star.

"We were very close for four or five years, but we haven't seen each other lately," Halliday said in his BBC interview.

Halliday is probably best-known for his role as Dr John Fleming in A for Andromeda.

The BBC programme also starred Julie Christie, with whom Halliday shared an on-screen kiss. He was joined by Susan Hampshire for the follow up series, The Andromeda Breakthrough.

Halliday went on to appear in Dr Who, The Saint, The Avengers, Goodnight Sweetheart and Dalziel and Pascoe on TV.

He also featured in the Oscar-nominated movie Remains of the Day, which starred Sir Anthony Hopkins and Emma Thompson.

Ms Bredsdorff said: "Peter enjoyed being an actor and was lucky enough to be doing what he loved doing for most of his life.

Divorced

"His career took him around the world and introduced him to interesting and famous people, some of whom became good friends."

In 1956, he married the actress Simone Lovell with whom he had three sons.

They later divorced, but remained good friends, Ms Bredsdorff added.

Speaking about the Powysland Museum exhibition in Welshpool, Halliday said: "It is excellent to be able to form a part of the history of my home town and look back at where I came from and what I have achieved."

He leaves three sons and five grandchildren.

Source: BBC

Review: T.A. James


T.A. James - S/T (Huh? Records)
T.A. James new EP is his debut solo release, though there’s a long list of recordings on which he’s a featured musician, playing lead, rhythm and bass guitar. The list of bands he’s trod the boards with is longer still, and includes names like The Kingsnakes, Tom Townsley & The Backsliders, L’il Georgie & The Shufflin’ Hungarians and Bernie Clarke & The Rhythm Sharks, though he’s probably best known as bassist with Carey Bell’s touring band, playing on Bell’s award winning 1997 album, “Good Luck Man”, released on the renowned Alligator label.

Seriously, the list above barely scrapes James’ resume, and it’s more than worthwhile visiting his website to get the full picture. I’m amazed it’s taken as long as it has to get him into the studio to record under his own name, though I suspect a win at the Piedmont Blues Preservation Society Solo/Duo Blues Challenge boosted his confidence, and gave him a prod in the right direction. The six tracks on his debut EP boast a combination of high-wire instrumentals and solid vocal tracks. His voice is far from perfect, but it does possess a broke-down quality that’s appealing, and it works to fine effect on “...Bad to the Bone...” and “Bone Appetit”. Of the instrumentals “Climb-Lick Maneuver” is particularly handsome.
http://www.tajames68.com/
Rob F.



T.A. James: T.A. James

Review: Dave Tutin


Dave Tutin - Beneath A Flagless Moon Vols. 1 & 2 (openDmusic)
Dave Tutin was born in Nottingham, legendary home of Robin Hood, and the birthplace of D.H. Lawrence, though he’s now resident in Santa Fe, New Mexico, the oldest city in the American west - if my memories of “Flashman and the Redskins” haven’t completely deserted me. Tutin’s an old school singer-songwriter, very much in the American roots tradition; if names like John Prine, Steve Forbert and Jim Ford come to mind, then you’re not far off the mark. That’s not to say he’s acquired a fresh new American accent, but he’s lost much of his Midlands’ lilt – his accent’s almost neutral.

His new record is an ambitious 18-track collection. The production has purposely been left sparse, though the sound is crisp and forthright. The lack of distractions leads us directly to Tutin’s songs and voice. Both bear up to scrutiny. He’s a storyteller at heart, but never forgets the importance of a tune. He understands hooks and their importance in building familiarity, and he frames the personal in a way that sounds universal. His voice is melodic and rich, and the best tool for the job. Favourites, at the moment, include “City of Ghosts”, with its almost Leonard Cohen-esque density, his love song to his new home on “Santa Fe” and the beguiling “Waiting for My Heart”. There’s a lot here to take in, but there are worse ways to waste an hour or so.
http://davetutin.com/
Rob F.

Dave Tutin: beneath a flagless moon - volumes 1 & 2

Review: Andrew Campbell


Andrew Campbell - This is What the City Will Sound Like When All the People are Gone (Independent)
New Yorker Andrew Campbell is an 18 year old student who sings, writes and plays everything on his debut EP “This is What the City Will Sound Like When All the People are Gone”. He doesn’t sound like he’s 18; perhaps he’s been a dedicated cigar smoker since kindergarten, or maybe puberty hit extra hard – I don’t know. He doesn’t write like a teenager, either. There is a naivety to some of his words, but it’s more than tempered by an understanding of their context. He writes a decent tune, too, arranging them in ways that sometimes bring to mind Bon Iver and Sufjan Stevens, and at other times they almost hark back to the glory days of the Brill Building writers.

The five tracks on “This is What the City…” should really be listened to as a whole. The songs are complimented by their surroundings, and there’s a natural flow to the tracks. Beginning with the playful “Feather”, it’s followed by the sophisticated pop tones of “You Can Count On It” and the Liam Dulligan-esque “Rum & Radio”. It’s relatively short at a shade less than 19 minutes, but as with all the best EPs, it’s essentially an appetizer and you’re definitely left wanting more, to satisfy a hunger you weren’t even aware of 20 minutes earlier.
http://www.facebook.com/AndrewCampbellTunes?sk=app_204974879526524
Rob F.



Andrew Campbell: This is What the City Will Sound Like When All the People are Gone

Review: Bluecats


Bluecats - Earthquake Mama (AWB Records)
Is good-time blues an oxymoron, a theoretical impossibility, and yet bands like the Bluecats exist. In their case it might be the California sunshine that puts a smile on their faces. They began as The Venice BlueCats, with a residency at The Venice Bistro, where they practiced and got good, and eventually, in 2007, they released their debut album “Perfect Example”. They’ve taken their time with its follow-up, but they’re busy people, acting, writing, playing with other artists and not least, gigging with the Bluecats.

Their style has been described as “like Fabulous Thunderbirds meets Johnny Winter”, which I take to mean they’re upbeat, powerful and lively, but with some serious chops underpinning their sound. That’s what they sound like on “Earthquake Mama” – they’re having a lot of fun and they’re great players. As for their influences, they’re obviously a band in love with the blues, but they’re equally captivated with classic rock ‘n’ roll. The rhythm section of drummer Steve Ebner and bass man Vick Patron keep the groove going throughout, whether slinky and slow, or fast and full of vim, they’re reliable, and provide the bottom for Keith Pittell’s boisterous guitar and Tony B.’s rock solid vocal and mean harp.

When they’re hitting their stride, they’re impossible to resist. Fans of maximum R&B should check out the rolling title track, with what sounds like a spiked Hammond adding to the joy, the Little Feat-esque “Does She Love Me” and the 100mph “Rollin'”, without delay.
http://bluecatsmusic.com/
Rob F.



The BlueCats: Earthquake Mama

JOHN PEEL CENTRE WILL DOCUMENT DJ'S RECORD COLLECTION ONLINE...


The John Peel Centre For Creative Arts, an arts centre in Suffolk established in the late great Radio 1 DJ's memory, has announced plans to document the presenter's legendary record collection online.

The plan is to scan in the artwork of the 25,000 vinyl LPs and 40,000 singles in Peel's record collection, and add the DJ's personal notes and other useful information to each record. Actual recordings won't likely be included for licensing reasons, though it's hoped music from the Peel Session archives will be also made available via the online project, which is backed by Peel's widow Sheila Ravenscroft and funded by the Arts Council. Phase one of the project will aim to put about 2500 albums into the online catalogue between May and October.

Commenting on the venture, John Peel Centre Director Tom Barker told the BBC: "What we're hoping to do is create an online interactive museum which answers the question 'what is in John Peel's record collection?' but also provides the audience with a visualisation of it. We hope that giving them access to a particular band, or their first album, or listening to his show, will inspire people to tell us their stories. This is the first step in the journey of making one of the most important archives in modern music history available completely".

Source: http://www.unlimitedmedia.co.uk/

TOM JONES AND JACK WHITE SINGLE TO BE SOLD IN ONE STORE ONLY...


The physical release of Tom Jones and Jack White's previously reported single, 'Evil', is to be sold only through Spillers Records in Cardiff, and just for one day.

The shop, which is billed as "the world's oldest record shop", is where a young Jones used to buy his records in the 50s and 60s. For one day on 3 Mar it will be given the exclusive right to sell all 100 copies of the three-colour seven-inch release of the single.

Says the shop's website: "The release will be available for one day only to customers over the shop counter with no pre-orders available. We are under VERY strict instructions!"

Source: http://www.unlimitedmedia.co.uk/

Review: Gretchen Peters


Gretchen Peters – Hello Cruel World (Scarlet Letter / Proper)
Something seems to have stirred Gretchen Peters, of late. She was always a talented songwriter, with the ability to get inside a subject and expose the bits you didn’t necessarily want to see, and along the way she’s picked up Grammy nominations and the respect of Nashville’s songwriting and recording elite. However, her earlier albums were often mired in the mainstream, far too country-straight for my tastes, which I always suspected was down to unadventurous production and arrangements, rather than the quality of the songs.

Since 2007’s “Burnt Toast & Offerings” she seems more intent on taking chances. By country music standards, there’s a degree of rawness to the production, guitars are audibly rocking and there’s a most welcome looseness permeating the proceedings. Lyrically, let’s say she’s got a lot on her mind, from floods and oil-spills, to things that are so personal, it seems almost voyeuristic to bring them up in a review. Standout songs are wherever you want to find them, from the desperate narrative of “Natural Disaster”, the stark balladry of “The Matador”, to the jazzy “Camille”. She’s about to start a long tour of the UK (link below) – go see her…
http://www.gretchenpeters.com/
Rob F.


Gretchen Peters Tour Dates: http://www.ents24.com/web/artist/28960/Gretchen_Peters.html

Early comic books featuring Batman fetch $3.5m in US...


A "jaw dropping" collection of early comic books has sold for $3.5m (£2.2m) at auction in New York.

The trove of 345 comics had been bought by the late Billy Wright from Virginia when he was a boy.

A copy of Detective Comics No. 27, which sold for 10 cents in 1939 and featured Batman's debut, got the top bid on Wednesday - raising $523,000.

The collection was found last year when a relative of Mr Wright was clearing a basement in his house.

"This really has its place in the history of great comic book collections," said Lon Allen, managing director of comics for Heritage Auctions, which was overseeing the sale.

He described the trove as "jaw-dropping", adding that Mr Wright seemed to have a knack of buying the right comics at the right time.

Another book - Action Comics No. 1 from 1938 featuring the first appearance of Superman - fetched $299,000.

This remarkable collection might never have seen the light of day - as Mr Wright never mentioned it to his family when he was alive, the BBC's Jonathan Blake in Washington reports.

The neatly stacked comics - all in good condition - lay untouched in his home in Martinsville for 17 years.

Experts say the collection is all the more valuable and significant because the books were kept by a man who bought them as a boy.

Source: BBC