Various Artists - The
Rough Guide to Psychedelic Bollywood (World Music Network)
As the World Music Network
continues its vast cataloguing of cultural and historic “rough guides” one
wonders what the inclusion criteria might be. If we assume a quick forage
for ‘60s or ‘70s Indian soundtracks that lean to the west for a touch of the
unusual, a John Barry influence and centre around a select few Indian film
score composers, then we may have it.
The collection starts in a
good funky place with “Pyar Zindagi Hai” from Lata Mangeshkar, Asha Bhosle and
Mahendra Kapoor. The tracks then continue in a vein which display obvious
influences from non-Bollywood sources, such as Kalyanji Anandji’s instrumental
“Cabaret Dance Music” - which recalls Bruce Lee’s Enter the Dragon score – and
the beat group-esque “Dance Music” adds a touch of east meets west(ern).
Equally, there are times when the tunes share a space with the ‘60s French
music scene, that often used sitars to psychedelicise their sound.
Disc 1 highlights are:
Asha Bhosle’s “Yeh Mera
Dil Yaar Ka Diwana” which includes some nice moog-work.
Laxmikant-Pyarelal’s
instrumental jazz number, “Soul Of Bobby”
“Freak Out Music” by R.D.
Burman which is just that.
Mohammed Rafi’s choice “Jaan
Pehechaan Ho” – as heard in a beer advert.
Asha Bhosle’s “Mera Naam
Hai Shabnam” which seems an almost comic take on Serge Gainsbourg and Jane
Birkin’s “Je T’Aime” but with the roles reversed (an idea which is reprised
later in “Piya Tu Ab To Aaja” with R.D. Burman which begins disc 2).
As for disc 2 from “Ek
Ladki Ko Dekha” on by Kumar Sanu, the going gets mellower with tracks that are
nearer to traditional Bollywood songs or ragas and seem more filler than
killer!
For 27 Tracks over two
discs the price will surely be nice. Some of the recordings are a little low
quality and not everything will interest the psych connoisseur, but it does
have its moments.
Willsk
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