Naomi
Sunderland – Water EP (Independent)
There’s something ethereal and quite magical about
Naomi Sunderland’s “Water” EP. The Inverell, New South Wales native (now living
and working in Brisbane) has fashioned a collection that captures the opaque
nature of its titular theme without sacrificing genuine substance (and
songcraft). Names like Cocteau Twins and Arthur Russell come instantly to mind,
but also Celtic ambi-folk artists like Enya - and its Sunderland’s ability to
straddle both worlds that’s so intriguing.
Known primarily as a singer-songwriter, her previous
releases have been acclaimed, though genre-wise, she’s generally been described
as country-folk. New musical partnerships and collaborations have moved her
into another direction altogether, and the mix of seemingly open structures,
atmospheric electronica and Sunderand’s exceptional voice is difficult to
resist. All four tracks rouse different moods and sensations, and like the best
ambient music, you find yourself subconsciously absorbing nuances and subtle
shifts in emphasis.
It’s certainly a collection to engage with as a
whole, but I can never resist picking favourites. Opening piece “The Bell” is one of them. It might be the most “folk”
track here, and is propelled beautifully by incredibly simple percussion, while
Sunderland’s voice swoops and soars alongside a slowly evolving electronic
wash. Equally perfect is “Willow”. Languid beats move the song along, while
keyboards add melody and effects, but again, it’s Sunderland and her song at the
very centre, transporting the listener to a nicer, gentler place.
Phil S.
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