Kristina
Stykos – Wyoming Territory (Thunder Ridge Records)
There’s a biography on Kristina Stykos’ website
that’s both informative and genuinely interesting. Her New York roots in an
around the folk boom, the music and parties, and her own stage debut in 1976
when a student in Cambridge, Ma. conjure up a back story that’s rich in life
experience. Her move to Vermont, early recordings, a family life and her work
with Live Art, an organization that promotes folk music in her adopted state,
all add to the legend and provide plenty of insight into Stykos’ approach to
her songs and music.
Her new album “Wyoming Territory” was inspired by
travel and exploration, but it’s no tourist guide. Instead Stykos transports
the listener to the mountainous Western state via a series of story songs, and
abstract narratives. The results are consistently engaging, and quite often
enthralling. Songwriters from Neil Young and Buffy Sainte-Marie to Lucinda
Williams and Mary Gauthier are evoked, and it’s an album you’ll want to cozy up
to, close your eyes and sink into. The musicianship and production both play
their part, and that’s all down to Stykos, who produces, and her band of local
players, including the much-acclaimed Bow
Thayer.
The album opens with the languid guitars of “Watershed”; a short introduction before the song
captures our attention. It’s an exceptional track and features a wonderful
dark, moody solo from what I think may be a viola, though I’m not altogether
certain. “Jeffrey Lee” rolls along in a most
agreeable way, not unlike a late-period Grateful Dead track, and there’s plenty
of space provided for Stykos to tell her tale.
Of the dozen tracks only a smattering don’t make four
minutes, and just as many break the five-minute mark. It gives the collection
an epic, larger-than-life quality, and the longest track comes right at the
end, the ambitious “Forgiveness” is beautifully
paced, packed with emotion, and wraps up this excellent collection on a huge
high.
Phil S.
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