A man has been jailed for two years for defacing a
Mark Rothko painting at London's Tate Modern gallery.
Wlodzimierz
Umaniec, 26, of Worthing, West Sussex, had previously pleaded guilty to
criminal damage to property valued at more than £5,000.
Witnesses saw a
man daub the mural, Black on Maroon, on 7 October before fleeing the gallery.
Tate Modern has
said the damage was much worse than originally feared and could take up to 20
months to repair.
Polish national
Umaniec, who co-founded the artistic movement "yellowism", stepped
over a barrier in the gallery and daubed his name and the words "12, a
potential piece of yellowism" before running off.
The court heard
that he went to the gallery intending to put his "signature" on a
picture, but decided to damage the painting only at the time he saw it on
display.
Judge Roger
Chapple, at Inner London Crown Court, told Umaniec: "Your actions on the 7
October of this year were entirely deliberate, planned and intentional."
Speaking about
"yellowism", Judge Chapple said it was "wholly and utterly
unacceptable to promote it by damaging a work of art" which he called a
"gift to the nation".
He said it was "abundantly
clear" that Umaniec was "plainly an intelligent man" and told
the court he had described Rothko as a "great painter" in a letter he
had written to him.
The judge also
said the incident had led to galleries reviewing security arrangements at a cost
to themselves and the taxpayer.
"The
effects of such security reviews is to distance the public from the works of
art they come to enjoy," he said.
'Everything is art'
Gregor
McKinley, prosecuting, said Sotheby's had given Tate Modern a verbal estimate
of pre-damage value of between £5m to just over £9m.
He added work
to restore the painting would take about 20 months and cost about £200,000.
Paintings by
Russian-born artist Rothko often sell for tens of millions of pounds.
Earlier this
year, his Orange, Red, Yellow sold for £53.8m - the highest price paid for a
piece of post-War art at auction.
Black On
Maroon, was donated to the Tate in 1969 by Rothko himself.
Outside court
before the sentencing, Ben Smith, who called himself a "yellowist",
attempted to explain the concept: "Everything is equal. Everything is art.
"Everything
is a potential piece of yellowism."
Source: BBC
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