Celebrated combat photographer Horst Faas, who covered
the Vietnam War for the Associated Press, has died aged 79, his daughter says.
Germany-born
Faas won four major photo prizes, including two Pulitzers, during his career,
and served as AP's Saigon photo chief at the height of the war.
In Saigon he
trained and mentored young Vietnamese photographers who captured many of the
war's defining images.
Faas was
injured in 1967 and later used a wheelchair for many years.
He died after
suffering years of health problems, including paralysis from the waist down.
"Horst
Faas was a giant in the world of photojournalism whose extraordinary commitment
to telling difficult stories was unique and remarkable," said Santiago
Lyon, AP's global head of photography.
"He was an
exceptional talent both behind the camera and editing the work of others and
even in the grimmest circumstances he always made sure to live life to the
fullest," Lyon said.
"He will
be sorely missed by scores of colleagues, especially that reduced group with
whom he covered conflict, particularly the Vietnam generation."
Speaking to the
BBC in 2007, Faas described his job in simple terms.
"I tried
to be in the newspapers every day, to beat the opposition with better photos. I
didn't try to do anything grandiose. The photos were used and published and
asked for, because Vietnam was on the front pages year after year after.
"I lived
from day to day, from event to event. It was a perfect story for an agency
photographer."
'Genius'
He began his
career covering conflicts in 1960, four years after joining the Associated
Press (AP).
He worked in what was then Zaire, and in Algeria,
before relocating to Vietnam, where he won his first Pulitzer Prize in 1965.
Accepting the award, he said he aimed to "record
the suffering, the emotions and the sacrifices of both Americans and Vietnamese
in... this little bloodstained country so far away," AP said.
He had a front row view of much of that suffering.
When not in the midst of the conflict, Faas worked at
AP's Saigon base, viewing and selecting images from his photographers to
transmit on the wire to the rest of the world.
Under his direction, AP photographers captured images
that quickly became synonymous with the long war: among the most notable were
Eddie Adams' image of the execution of a Viet Cong suspect and Nick Ut's
picture of a naked Vietnamese girl fleeing a napalm attack.
Despite being injured in 1967, he stayed in the
country until 1970.
"I don't think anyone stayed longer, took more
risks or showed greater devotion to his work and his colleagues," said New
York Times journalist David Halberstam, who once lived with Haas.
"I think of him as nothing less than a genius."
Source: BBC
No comments:
Post a Comment
Note: only a member of this blog may post a comment.