Wednesday, 8 May 2013

Steve Martland dies aged 53


British composer Steve Martland has died at the age of 53, his publisher Schott Music has announced.

He was known for pieces including 1983 orchestral work Babi Yar, premiered at the same time in the US and the UK - by the St Louis Symphony and the Royal Liverpool Philharmonic Orchestra.

It was later recorded for Manchester's Factory Records.

Liverpool-born Martland studied composition under leading Dutch composer Louis Andriessen in the Hague.

"We are very sad to announce that Steve Martland, one of the outstanding voices in British music since the mid-80s, died in his sleep on the night of 6 May," his publisher said in a statement.

It said his "lifetime preoccupation was with the function of the composer in society".

"Steve was a unique figure, an independent, questioning spirit who inspired a generation of younger musicians - composers, players, promoters," it added.

'Pioneering school'

The composer's music, described by Schott as "often amplified, muscular and powerfully rhythmic", has been extensively choreographed in productions including Drill, for the Sydney Opera House, Crossing the Border, for the Dutch National Ballet, and Danceworks, which was premiered by the London Contemporary Dance Theatre.

His publisher said he rejected "academic dogma in favour of plurality of musical influences, both ancient and modern, serious and vernacular" and had frequently worked with artists "outside classical institutions".

He collaborated with the band Spiritualized, in 1998, for Edinburgh's Flux Festival.

In 2006 and 2007, he was composer in residence at the Etna Music Festival, in Sicily.

And in 2008, he wrote Starry Night for percussion and strong quartet for the Tromp music festival in Eindhoven, the Netherlands.

Choral works include Street Songs, written for King's Singers and percussionist Evelyn Glennie.

The composer, whose own Steve Martland Band tours his music internationally, also wrote Tyger Tyger, for charity Youth Music's Sing Up campaign.

His scores for TV include Granada children's show Wilderness Edge and he wrote and co-directed A Temporary Arrangement with the Sea, a film about his mentor, Andriessen, which was shown on BBC TV.

Schott said in its statement he also ran his own "pioneering" summer school, Strike Out, for budding composers still at school.

Source: BBC

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Ray Harryhausen, visual effects master, dies aged 92



Visual effects master Ray Harryhausen, whose stop-motion wizardry graced such films as Jason and the Argonauts and Clash of the Titans, has died aged 92.

The American made his models by hand and painstakingly shot them frame by frame to create some of the best-known animated sequences in cinema.

His death in London was confirmed to the BBC by a family representative.

"Harryhausen's genius was in being able to bring his models alive," said an official statement from his foundation.

"Whether they were prehistoric dinosaurs or mythological creatures, in Ray's hands they were no longer puppets but became instead characters in their own right."

Born in Los Angeles in June 1920, Raymond Frederick Harryhausen had a passion for dinosaurs as a child that led him to make his own versions of prehistoric creatures.

Films like 1925's The Lost World and the 1933 version of King Kong stoked that passion and prompted him to seek out a meeting with Willis O'Brien, a pioneer in the field of model animation.

During World War II Harryhausen joined director Frank Capra's film unit, which made the Why We Fight series to back the US war effort.

After the war, he made stop-motion versions of fairy tales that prompted his idol, O'Brien, to hire him to help create the ape in Mighty Joe Young - an achievement that won an Academy Award.

Harryhausen went on to make some of the fantasy genre's best-known movies, among them One Million Years B.C. and a series of films based on the adventures of Sinbad the sailor.

He is perhaps best remembered for animating the seven skeletons who come to life in Jason and the Argonauts, a sequence which took him three months to film, and for the Medusa who turned men to stone in Titans.

Harryhausen inspired a generation of film directors, from Steven Spielberg and James Cameron to Peter Jackson of the Lord of the Rings fame.

Spielberg said Harryhausen's "inspiration goes with us forever" while Cameron said Hollywood science fiction film-makers had been "standing on the shoulders of a giant".

Meanwhile, Star Wars creator George Lucas, paid tribute by saying: "The art of his earlier films, which most of us grew up on, inspired us so much."

Director John Landis described Harryhausen as a "true giant of the cinema" and said his creations were "not only the stars of those movies, but the main reason for those movies to exist at all".

Peter Lord of Aardman Animations was quick to pay tribute, describing Harryhausen as "a one-man industry and a one-man genre" on Twitter.

And Nick Park, Aardman's Oscar-winning creator of Wallace and Gromit, told the BBC: "I've followed the work of Ray Harryhausen all my life.

"He is one of the true greats, if not the true great of stop motion animation. A unique craftsman... He has been my mentor and inspiration since my earliest childhood memories."

"I loved every single frame of Ray Harryhausen's work," tweeted Shaun of the Dead director Edgar Wright. "He was the man who made me believe in monsters."

In 1992 Harryhausen was given a special Oscar to honour his work with special effects in the days before computer-generated imagery.

Harryhausen lived in the UK for several decades with his wife Diana and often appeared at fantasy conventions.

The veteran animator donated his complete collection - about 20,000 objects - to the National Media Museum in Bradford in 2010.

He died at London's Hammersmith Hospital, having received treatment for about a week.

Source: BBC

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Review: Papa Pilko and the Binrats – Howlin’


Papa Pilko and the Binrats – Howlin’ (Independent)
“Howlin’” is the second EP release from Papa Pilko and the Binrats - the Sydney based septet released their self-titled debut collection back in May 2012. It’ll come as no surprise that they’ve a reputation for wild, rowdy, vigorous live performances, the sort of performances that keep a crowd coming back for more, and surely essential if you’re going to keep a seven-piece band fed and watered.

All dressed up in not-quite-matching black cowboy threads, they must be quite a sight, throwing themselves around a stage, playing their blend of hi-energy honky-tonk and bone-rattlin’ blues. It’s to their credit that they can transfer all their enthusiasm into the sterile confines of the studio, and on “Howlin’” they do just about everything right. Guitarist Pablo Martin has got a beautiful touch; his lead runs on opening cut “Back Home” are a joy to hear, and lead singer Cyrus Pilko provides a perfect foil. Though they’re obviously influenced by the country and blues men of yesteryear, there’s a knowing post-punk feel to all aspects of their sound, from the lyrics and musicianship to the spartan production.

Of the five tracks they present here, there’s absolutely nothing that could be described as filler or throwaway. Everything deserves attention and all would sound great on any alternative radio station with decent taste and an adventurous programmer.
Phil S.

Tuesday, 7 May 2013

Tonight at De Montfort Hall: Suggs

De Montfort Hall Presents…

Suggs
My Life Story in Words & Music
Tuesday 7th May
Tickets £24.50
Doors: 7:30pm
I've just turned 50, the kids have left home, and my cat just died.

In Suggs: My Life Story the Madness frontman takes to the stage in a hilarious, yet moving, one man tour de force playing to rave reviews.

The death of Suggs' beloved cat on his fiftieth birthday triggers a personal quest to discover what happened to the father he never knew. Stunned by what he learns Suggs is taken back to his childhood on the tough streets of the 1970's Soho and his first appearance on the Top Of The Pops at the age of eighteen...

WITH MUSICAL ACCOMPANIMENT AND UNCALLED FOR INTERJECTION FROM DEANO HIS LOYAL MANSERVANT-CUM-PIANIST

"Very funny, and delivered with a sense of timing and phrasing that many common-or-garden comics could learn much from" 4 stars Dominic Cavendish, The Daily Telegraph


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Youssou N'Dour and Kaija Saariaho win Polar Music Prize


Senegalese singer Youssou N'Dour and Finnish composer Kaija Saariaho have been named as the recipients of this year's Polar Music Prize.

Sweden's highest musical honour is awarded annually to both a pop performer and classical artist.

The pair will each receive one million kronor (£98,600) from the Royal Swedish Academy of Music.

King Carl XVI Gustaf will present them with their awards at a Stockholm ceremony on 27 August.

The prize is awarded for "exceptional achievements in the creation and advancement of music".

The academy recognised N'Dour as "not just a singer, but a storyteller, poet, singer of praise, entertainer and verbal historian".

"With his exceptionally exuberant band Super Etoile de Dakar and his musically ground breaking and political solo albums, Youssou N'Dour has worked to reduce animosities between his own religion, Islam, and other religions," it said.

"His voice encompasses an entire continent's history and future, blood and love, dreams and power."

Saariaho, who has written chamber music, orchestral works and operas, was praised as "a modern maestro who opens up our ears and causes their anvils and stirrups to fall in love".

The prize was founded in 1989 by Stig Anderson, the manager of Swedish pop group ABBA.

Last year's winners were US singer Paul Simon and cellist Yo-Yo Ma.

Other previous winners include Sir Elton John, Sir Paul McCartney, Bob Dylan, Bjork and Patti Smith.

Source: BBC

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Review: Jeff Jones – The Rooster Crows: The Bank Sessions


Jeff Jones – The Rooster Crows: The Bank Sessions (Independent)
Playing almost 200 shows a year in and around Lake Tahoe, Nevada, Jeff Jones has built a substantial fan base, and has earned himself a well-earned reputation as a promoter of his local music scene. Perhaps it’s an outsider’s enthusiasm, as Jones was originally from New Mexico, and he only arrived in Nevada after a stint in the army and an extended sojourn in Europe. His early musical influences were gospel, and reflected his Baptist upbringing, playing hymns on the piano. That inherent soulfulness is still present in his music, though its now part of a broader package, which has much in common with the classic rock tones of the Faces, The Rolling Stones and The Black Crowes.

His latest album “The Rooster Crows: The Bank Sessions” continues his musical journey in some style. The combination of soul, R&B and ‘70s rock motifs suits his rich, honeyed voice to a tee, and songs like “Soul Healing Love” and “What She Is” are funky enough to appeal to Shuggie Otis fans. Rockier numbers like “So Much for Rock and Roll” and “Texas” bring to mind Stevie Ray Vaughan, and his stripped back acoustic take on the Stones’ “Sympathy for the Devil” is nothing short of a revelation.
Phil S.

Tonight at The Musician: Kyle Carey + Josienne Clarke & Ben Walker




Greenbird Promotions presents...

Kyle Carey + Josienne Clarke & Ben Walker
Tuesday 7th May
£8
Kyle Carey is playing as part of her first UK tour.  She describes her music as “Gaelic Americana”.  It includes elements of the American Folk Anthology, influences from Irish, Scottish and Cape Breton traditional music, and the Appalachian poetry of Louise McNeill.   Her debut album “Monongah”, released in 2011 and showcasing her beautiful pure voice and superb writing, hit just about every Year’s Best list that matters.  Songs like the Southern snake handler story “Adenine” and the haunting title track live long in the memory.

Josienne Clarke has a voice that has been justifiably compared to Sandy Denny’s, to which Ben Walker’s intricate and understated acoustic guitar playing is the perfect accompaniment. She is the current holder of the Fatea Female Vocalist of the Year award and together they won the 2012 Isambarde Folk Award.  They have supported everyone from Martin Simpson to Mary Hampton and are rapidly making a name for themselves on the UK folk scene.

Josienne & Ben have recorded a new EP with Kyle that will be available at this show.

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Review: Drastic Andrew – State Of Denial


Drastic Andrew – State Of Denial (Frogville Records)
Drastic Andrew are an interesting proposition, as they claim to mix “oblique elements of Pink Floyd, Rolling Stones, The Band, Talking Heads, the 90's, Cracker and Radiohead, Black Keys, as well as Bluegrass and classic country influences”. That’s quite a combination of contrasting influences, but listening to “State Of Denial”, the band’s second album for Frogville, it kind of makes sense, insofar they’re rootsy and country-ish, but with a distinct progressive, indie pop streak. I suppose, if a comparison is to be made, Wilco seem the obvious candidates, but there’s something easier about Drastic Andrew, that’s very likeable.

Led by singer-songwriter Andrew MacLauchlan, the Santa Fe based quintet nail their colours to the mast with a collection of songs that delve into various themes, from social injustice and the environment, to love and relationships. It’s a range of subjects that songwriters are prone to explore, so it’s to MacLauchlan’s credit that he brings something new and original to the table. “State Of Denial” begins with “Why Is the Sky”, which sounds like it might have its lyrical roots in the ‘60s Greenwich Village scene, but a full production and ambitious arrangement transcends its folk intimations. The horns on “Wolfgang Fischer” work brilliantly with Ben Wright’s lead guitar and Kevin Zoernig jazzy keyboard runs, and the country styling of “Just a Man” brings instant contrast.
Phil S.

Aerosmith cancel Indonesian concert


Aerosmith have cancelled a concert in Jakarta over safety concerns, a concert promoter has confirmed.

The US band, who had been due to play in the Indonesian capital next weekend, issued a statement apologising to fans.

"We... hope one day we can make it up to them," continued the statement posted on the Facebook page of concert promoter Ismaya Live.

"They gave no specific reasons for the cancellation," said spokeswoman Sarah Deshita. "We are sad and disappointed."

"We did all we could to ensure security was tight and even engaged the marines but it's not enough," she told news agency Agence France Presse.

Ms Deshita said around 85% of the tickets for the concert had been sold.

Security was tightened around the Burmese embassy and ambassador's house in Jakarta on Friday after two men suspected of plotting a bomb attack were arrested.

Last year, Lady Gaga cancelled a concert in the Indonesian capital, citing security concerns following protests by religious groups.

Police in Indonesia had refused to issue a permit for the US pop star after Islamic groups objected to her show, claiming it was too vulgar.

They had called upon the singer to tone down her performance but her management took the decision to pull the plug instead.

Fellow pop star Rihanna twice pulled out of concerts in the city in 2008 and 2009.

Singer Steven Tyler arrived in Manila on Sunday, where the band are due to play on Wednesday as part of their ongoing world tour.

Source: BBC

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Volcano The Bear Euro Tour Dates


VTB are playing a few shows in Europe in May. The dates will include their first ever concerts in Russian and Serbia!

MAY

17th - Moscow, Russia - Avant Club 

18th - St Petersburg, Russia - SKIF Festival 

20th - Mainz, Germany - Walpodenakademie 

21st - Cologne, Germany - Stadtgarten

22nd - Berlin, Germany - N.K.

23rd - Copenhagen, Denmark - Jazzhouse

24th - Belgrade, Serbia - Ring Ring Festival


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Monday, 6 May 2013

Review: We Are The Wild Things – Amour


We Are The Wild Things – Amour (Independent)
We Are The Wild Things are a young quartet from Toronto, comprising Allan Crooc on vocals and guitar, guitarist Jeffrey Care, Michael Ferreira on bass and vocals, and drummer Ryan Patrick. Together they play urgent, contemporary indie pop and rock, with emphasis on sweeping, epic tunes, and with no shortage of hooks - it’s the sort of thing that radio stations crave.

They’ve already established themselves as one of the hardest working bands in their locale, and all that time spent on stage and in rehearsal rooms has obviously paid off within the confines of the studio, as “Amour” sounds like a collection of songs recorded by a group completely in sync. Lead vocalist Crooc possesses an adaptable, flexible voice, which is equally adept at subtle nuance as it is letting rip, and the band understand the importance of light and shade.

Of the seven tracks on the EP (the group’s second release), special attention should be paid to opening cut “Just for a While”, a driving guitar track with Crooc in particularly fine form. “Quit Running Away” stresses the importance of the group dynamic, with its rhythmic shifts and pop nous, and “Mirrors” delivers the sort of accessibility that will surely make their name on future releases.
Phil S.