Monday, 6 May 2013

Bodleian buys 'significant' Hopkins manuscript


A draft manuscript of Victorian poet Gerard Manley Hopkins' celebrated work Binsey Poplars has been bought at auction by Oxford's Bodleian Libraries.

Oxford University said it was the most significant item of the poet's work to be auctioned in more than 40 years.

The "late autograph draft manuscript" of the poem, it continued, had been the last known major Hopkins manuscript in private hands.

The poem was first published in 1918, 30 years after the poet's death.

Hopkins, who died in 1889 at the age of 44, wrote Binsey Poplars while he was a curate at St Aloysius's Church in Oxford.

The Oxford alumnus penned it in response to the felling of trees running alongside the Thames in Binsey, a village on the west side of the city.

"O if we but knew what we do, When we delve or hew - Hack and rack the growing green!" the poem's second verse begins.

It was first published when his friend, the poet Robert Bridges, edited a volume of Hopkins' poems.

The only other known manuscripts of Binsey Poplars survive in four copies kept in the Bodleian at the University of Oxford.

'Wonderful'

"It is wonderful to be able to add this draft of one of his most celebrated works," said Dr Christopher Fletcher, keeper of Special Collections at the Bodleian.

"The various revisions in the draft, particularly when studied alongside the other drafts, give us a remarkable insight into how the poet crafts his passionate lament on man's disregard for the sanctity of nature."

Despite only a small number of his poems appearing during his lifetime, Hopkins is regarded as one of the Victorian era's greatest poets.

His revolutionary, "difficult" style, with its new rhythmic effects, influenced the work of Modernist and later writers.

The Bodleian has organised a one-day display to showcase the newly acquired manuscript alongside the other four drafts of the poem.

The free event takes place on 9 May.

Source: BBC

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Preview: Mike Oldfield's Tubular Bells For Two at De Montfort Hall, 23rd May


De Montfort Hall Presents…

Mike Oldfield's
Tubular Bells For Two
Thursday 23rd May
Tickets £19.50 / Concessions £17.50
Doors: 7:30pm
Two talented Australian musicians playing over twenty instruments bring to life Mike Oldfield's seminal album Tubular Bells in a unique theatrical performance.

Multi-instrumentalists Daniel Holdsworth and Aidan Roberts have arranged the entire score of Tubular Bells to be played by just two blokes, its subtle beauty and richly layered madness intact.

This herculean feat leaves the musicians drenched in sweat and audiences on the edge on their seats, as they race from instrument to instrument.


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Review: Amelia and the Mayor – Amelia


Amelia and the Mayor – Amelia (Independent)
As their name suggests, Amelia and the Mayor are a duo, comprising of Amelia Edmunds and The Mayor (of Essonville), aka songwriter Albert John Saxby. They got together in 2010 when Saxby discovered Edmunds making toast in his kitchen (this is reported on several websites, though frankly, it raises more questions than it answers), and they subsequently found they shared a mutual love of music making. Edmunds is young, with a sweet voice – ideally suited to the folk-pop and acoustic rock material written by Saxby, a veteran of various groups, including the fondly remembered cowpunk outfit Absolute Whores, who released several records (and cassettes) in the late ‘80s.

“Amelia” is their debut album, though they’ve paved the way with a couple of single releases. Both singles (“Misused Words” and “Feel Your Love”) are included on the album, and both provide ideal entry points to the duo’s sound and style. The strings on the former collide beautifully with Edmunds’ voice, and it’s a strikingly good arrangement. On “Feet On the Ground” Saxby takes a share of the lead vocals, and when Edmunds joins in, they soar - and the simple pleasures of “Saints to Pass” are reinforced by genuinely arresting imagery and a delivery that appears to contrast with the inherent drama.
Phil S.

Paul McCartney sings unperformed Beatles tracks on tour


Paul McCartney gave his first ever live rendition of a selection of classic Beatles tracks at the opening night of his world tour in Brazil.

The singer performed tracks such as Your Mother Should Know and Lovely Rita on the first night of his Out There tour in the city of Belo Horizonte.

Many later Beatles tracks were never performed live, after the band called an end to touring in 1966.

The Out There tour will include the US, Canada, Italy, Austria and Poland.

Sir Paul will play three concerts in Brazil this week - before continuing to Florida in the US in the middle of May.

Saturday's gig also saw Beatles' tracks Being For The Benefit Of Mr Kite and All Together Now given their first live rendition.

Sir Paul sang Eight Days A Week live for only the second time. The Beatles played it just once in 1965.

The show, attended by 55,000 fans, saw the veteran star performing solo acoustic versions of Blackbird and Here Today on a platform some 20ft above the stage.

Source: BBC

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Hop Farm Music Festival is cancelled due to poor sales


The Hop Farm music festival has announced the cancellation of this year's event because of poor ticket sales.

The festival had been due to take place in Kent on Friday 5 July and Saturday 6 July.

It was due to be headlined by My Bloody Valentine and Rodriguez.

Organiser Vince Power said in a statement: "We have worked very hard to try to make it work but it has proved too much of a mountain to climb."

Others on the bill included The Horrors, Jimmy Cliff, The Black Angels, The Cribs and The Presidents Of The United States Of America.

Ten thousand tickets were available for this year's event, even though the festival made a loss in 2012.

The previous year, 2011, was a sell-out featuring Prince, the Eagles and Morrissey as its headliners.

The statement said it wanted this year's acts to know they were "very sorry not to be able to have them play".

It added: "We would also thank the fans that have supported us over the past five years. It is with great sadness that the decision was made."

Ticket holders will receive a full refund from their ticket agents.

A company which operated a separate family park at the venue, Hop Farm Trading Ltd, went into liquidation earlier this year.

Source: BBC

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Wednesday, 1 May 2013

Review: The Broken Lights – S/T


The Broken Lights – S/T (Independent)
Taking their inspiration from classic rock bands like Cream and ZZ Top, together with contemporary artists such as Jack White and The Black Keys, Dayton, Ohio three piece, The Broken Lights, have delivered a debut album that connects the past to the future, while rocking every step of the way. The young group (Tyler Cochran: guitar and vocals, Andy Uzzel: bass, Zach Grove: drums) have an average age of under 20, and have only been playing together for a couple of years, yet progress appears to have been swift. The ten tracks on their debut are all self-penned by the trio, and display a deep understanding of the genre they’re operating in.

They don’t feel the need to attach any particular pose to what they’re doing – they look like three regular kids, who just happen to play music. They kick off their record with “Hey Hey Baby Baby”, which might be the most clichéd title of all time, though it doesn’t stop it sounding great. The guitars are unfussy and urgent, and they include an abundance of pop hooks. Frankly, rock radio should be fighting to play it. “Hello Chicago” is just as good, with Uzzel’s bassline providing plenty of impetus. Though rock and blues are the cornerstones of their sound, it’s impossible not to be impressed by their talent for accessible pop melodies. Perhaps the prime example is “Backtrack”, a track so irresistibly catchy – like a fun version of Ebola - it should probably be reported to the World Health Organization.
Phil S.

Tonight at The Musician: Muddy Waters 100th Birthday Celebration



Muddy Waters 100th Birthday Celebration
Wednesday 1st May
£5adv £6door
feat. Mick Ridgway's Mojo Hand and Mike Pruden
2013 heralds the 100th birthday of the late American Blues legend Muddy Waters, considered the "father of Modern Chicago Blues." To mark the occasion, Leicester based blues favourites Mick Ridgway's Mojo Hand and Mike Pruden will perform special tribute sets and pay homage to the man himself. The night will also feature special guest appearances from the cream of Leicester's blues scene.

"Mojo Hand ooze an ease and confidence with which they rapidly capture their audience." - Blues In Britain

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George Jones public funeral to be held in Nashville


The funeral of country music legend George Jones will be held at the famous Grand Ole Opry House in Nashville and is open to fans, it has been announced.

"George would have wanted his fans and friends everywhere to be able to come and pay their respects along with his family," publicist Kirt Webster said.

The ceremony will be held on Thursday, a day after a private visitation for family, friends and fellow performers.

Jones' hits included He Stopped Loving Her Today. He died on Friday aged 81.

Mr Webster said he died after being admitted to hospital for fever and irregular blood pressure.

In a statement, Jones' widow Nancy said: "Thanks to George's friends, fans, and loved ones for the outpouring of love at this terrible time. I love you all."

The Grand Ole Opry House has a capacity of 4,400 and is home to America's longest running radio show, titled The Grand Ole Opry.

Jones joined the cast of the Grand Ole Opry in 1956 and went on to enjoy success with hits including White Lightning, A Good Year for the Roses, Who's Gonna Fill Their Shoes, The Grand Tour and Tennessee Whiskey.

After Jones' death, country star Garth Brooks was among those paying tribute, saying: "The greatest voice to ever grace country music will never die. Jones has a place in every heart that ever loved any kind of music."

Source: BBC

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Review: Jenny Biddle – Hero In Me

Jenny Biddle – Hero In Me (Independent)
From Melbourne, Australia, Jenny Biddle is an award-winning singer-songwriter, with roots in her local busking scene. In fact, she’s an award-winning busker, and has been the holder of Melbourne’s Best Busker crown since 2010 and has won the People’s Choice Award at this year’s Tamworth Country Music Festival Busking Championship. Obviously happy plying her trade on the streets (that sounds wrong – but you know what I mean), it’s perhaps surprising that her latest long-player “Hero In Me” is quite so polished (there are two other studio albums available, 2009’s “Chest Of Drawers” and 2012’s “Little Treasures” – both of which are highly rated). Admittedly she works with talented people. Her producer on “Hero In Me” is Thirsty Merc’s former guitarist, Sean Carey, and her current band features Dave Kleynjans (Knieval, Groundswell) on drums and bassist Dave Rogers (Klinger) though neither appear on this particular album.

Listening to “Hero In Me” it’s understandable how Biddle attracts such quality collaborators, and she makes a wonderful first impression with the title track. She sings in her own voice and is instantly recognizable as an Australian singer, but Jason Walker’s keening pedal steels adds melancholy and the song brings to mind ‘70s Richard Thompson. “Pockets” and “Somebody to Love” rock in a bluesy roadhouse sort of way, and on “Winter Sun” she slows down her band and lets the song’s emotional pull speak for itself.
Phil S.


Sale of Peter Howson works raises £202,000 for daughter

The sale of Peter Howson works by the Scottish artist's ex-wife has taken £202,000 at auction.

Terry Howson sold 390 drawings and paintings to raise money for the couple's daughter Lucie, who has Asperger's syndrome.

The sale at McTear's Auctioneers in Glasgow on Sunday included 10 original drawings of David Bowie.

One of the Bowie drawings sold for £9,500 - almost five times the estimate. The 10 works raised £35,000.

Peter Howson produced the drawings in 1994 when Bowie posed for him at his London studio.

They became friends after Bowie bought two controversial paintings of the Bosnian war by the artist.

Peter Howson said: "There were only 10 Bowie drawings and I gave them all to Terry. None have ever been sold before."

Charismatic character

Remembering back to when he drew the musician, he said: "I had him sitting quite high, on a 5ft plinth, and at one point he seemed to doze off and fell to the floor. We had a laugh about it, he's a very charismatic character and we've kept in touch from time to time ever since."

Terry Howson said: "It was difficult to part with a lot of these paintings but the time had come to let others enjoy them."

She added: "Over the years I have built up quite a collection of Peter's art which demonstrates a real mix of his work but Lucie's welfare and future is the most important thing.

"I didn't sell my entire collection and I've held back quite a lot of Peter's work which I hope to hang on to."

Brian Clements, from the auctioneers McTear's, said the sale attracted international attention with bids received from all over the world and the auction house was packed with hundreds of people.

He said: "Peter Howson is one of Britain's most talented and celebrated artists and Terry's collection includes an incredible variety of his work over the last 40 years.

"I am delighted that so many people have been able to purchase a work by this fantastic artist and in the process raise funds to help look after Terry and Peter's daughter Lucie."

Source: BBC

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Review: Brillig – I Ain’t Ever Gonna See The Sea


Brillig – I Ain’t Ever Gonna See The Sea (Independent)
South Australian three-piece Brillig are Matt Swayne (vocals, acoustic and electric guitar, banjo, harmonica), Elizabeth Reid (vocals, autoharp, piano accordion, ukulele, viola) and Denni Meredith (bass guitar). There’s a chance that seeing their instrumental line-up written down will give some indication of the music they make, but it merely hints at the variety of styles and the dark atmospheres they generate.

I suppose they can be loosely described as an Americana group, though one that includes sea shanties, gothic storytelling, cowboy songs and death balladry in their repertoire. The Handsome Family, Decemberists, Johnny Cash and Nick Cave all provide points of reference, and it’s no surprise that Brillig are beginning to garner the same sort of critical approval those other artists have attracted over the years. It’s a basic truth that humans like to be told stories, the darker the better, and Brillig have recorded an album full of them.

With dual vocalists, and a wealth of instrumental prowess to call upon, Brillig’s sound never completely settles. There willingness to mix things up certainly keeps “I Ain’t Ever Gonna See The Sea” interesting, as do the touches of gallows humour, whether it’s the knock-knocking on “The Devil Wears Cowboy Boots” or the down-to-earth sweariness of “Fair Warning”. Both of which are standout songs in the 13-track set, though they’re hardly alone. Opening cut “I Ain't Ever Gonna See the Sea” sets the scene beautifully, its chanted chorus oozing regret. “Five Point Star” relocates the trio to Colorado and ends badly, and the instrumental “Theme from Ghost Town” adds a little spaghetti to their western.
Phil S.

Beastie Boys duo to tell their story


A new book telling the story of the Beastie Boys, to be written by surviving members Mike D and Ad Rock and reflecting the death of bandmate MCA, is to be published in 2015.

The book will trace the rap crew's origins as a New York high school punk band through to their induction into the Rock and Roll Hall of Fame.

Band member MCA, real name Adam Yauch, died from cancer aged 47 in May 2012.

Publishers Faber & Faber said the book was "a landmark acquisition".

"Beastie Boys have entertained us for years with classic albums like Paul's Boutique and Hello Nasty," said Faber's Lee Brackstone.

"They will now entertain us on the page, in this book which celebrates the 30-plus years of their unique story and influence."

Initially a hardcore punk band called the Young Aboriginals, Yauch and co-founders Mike D, aka Mike Diamond, and Ad Rock, real name Adam Horowitz, met in high school in Brooklyn.

They switched to hip-hop, renamed themselves the Beastie Boys and, in 1986, launched their debut album Licensed To Ill.

Its hit singles included (You Gotta) Fight For Your Right (To Party) and No Sleep Till Brooklyn.

Although the music was acclaimed, the band's brash and bratty personas earned them more than their share of negative headlines.

Their penchant for wearing Volkswagen badges around their neck was also blamed for a rise in car vandalism.

But subsequent albums such as Paul's Boutique and Ill Communication are considered classics of the genre and cemented their reputation as one of America's most popular and enduring rap outfits.

Tributes

In 2009 the band delayed their release of their album Hot Sauce Committee, Pt. 1 following news that Yauch was suffering from cancer of the salivary gland.

Although Part 1 was delayed indefinitely, the album's second part was released by the band in 2011.

The band were inducted into the Rock and Roll Hall of Fame in 2012. Yauch died just a few weeks later.

Musicians from across the spectrum paid tribute, with electronic DJ Moby calling him "a wonderful, generous, remarkable and inspiring man and friend".

The new book, to be compiled by hip-hop writer Sacha Jenkins, will include contributions from writers exploring Yauch's musical legacy.

Source: BBC

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