Visual effects
master Ray Harryhausen, whose stop-motion wizardry graced such films as Jason
and the Argonauts and Clash of the Titans, has died aged 92.
The American made his models by hand and
painstakingly shot them frame by frame to create some of the best-known
animated sequences in cinema.
His death in London was confirmed to the BBC by a
family representative.
"Harryhausen's genius was in being able to bring
his models alive," said an official statement
from his foundation.
"Whether they were prehistoric dinosaurs or
mythological creatures, in Ray's hands they were no longer puppets but became
instead characters in their own right."
Born in Los Angeles in June 1920, Raymond Frederick
Harryhausen had a passion for dinosaurs as a child that led him to make his own
versions of prehistoric creatures.
Films like 1925's The Lost World and the 1933 version
of King Kong stoked that passion and prompted him to seek out a meeting with
Willis O'Brien, a pioneer in the field of model animation.
During World
War II Harryhausen joined director Frank Capra's film unit, which made the Why
We Fight series to back the US war effort.
After the war,
he made stop-motion versions of fairy tales that prompted his idol, O'Brien, to
hire him to help create the ape in Mighty Joe Young - an achievement that won
an Academy Award.
Harryhausen
went on to make some of the fantasy genre's best-known movies, among them One
Million Years B.C. and a series of films based on the adventures of Sinbad the
sailor.
He is perhaps
best remembered for animating the seven skeletons who come to life in Jason and
the Argonauts, a sequence which took him three months to film, and for the
Medusa who turned men to stone in Titans.
Harryhausen
inspired a generation of film directors, from Steven Spielberg and James
Cameron to Peter Jackson of the Lord of the Rings fame.
Spielberg said
Harryhausen's "inspiration goes with us forever" while Cameron said
Hollywood science fiction film-makers had been "standing on the shoulders
of a giant".
Meanwhile, Star
Wars creator George Lucas, paid tribute by saying: "The art of his earlier
films, which most of us grew up on, inspired us so much."
Director John
Landis described Harryhausen as a "true giant of the cinema" and said
his creations were "not only the stars of those movies, but the main
reason for those movies to exist at all".
Peter Lord of
Aardman Animations was quick to pay tribute, describing Harryhausen as "a
one-man industry and a one-man genre" on Twitter.
And Nick Park,
Aardman's Oscar-winning creator of Wallace and Gromit, told the BBC: "I've
followed the work of Ray Harryhausen all my life.
"He is one
of the true greats, if not the true great of stop motion animation. A unique
craftsman... He has been my mentor and inspiration since my earliest childhood
memories."
"I loved
every single frame of Ray Harryhausen's work," tweeted Shaun of the Dead
director Edgar Wright. "He was the man who made me believe in
monsters."
In 1992
Harryhausen was given a special Oscar to honour his work with special effects
in the days before computer-generated imagery.
Harryhausen
lived in the UK for several decades with his wife Diana and often appeared at
fantasy conventions.
The veteran
animator donated his complete collection - about 20,000 objects - to the
National Media Museum in Bradford in 2010.
He died at
London's Hammersmith Hospital, having received treatment for about a week.
Source: BBC
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